J.S.Bach - Six Suites for Violoncello Solo BWV 1007-1012 ... Sebastian Klinger

J.S.Bach - Six Suites for Violoncello Solo BWV 1007-1012 / Sebastian Klinger, cello, 5-string cello piccolo / OEHMS
Composer:  Johann Sebastian Bach... Performer: Sebastian Klinger / Audio CD (15. August 2008) /  Label: Oehmsclass (Harmonia Mundi) / EAC APE + CUE, 2 CDs, cover, 1 file + 1 file, 295 + 285 MB, 2008.

CD 1:

1. Cello Suite No. 1 in G major, BWV 1007: I. Prelude

2. Cello Suite No. 1 in G major, BWV 1007: II. Allemande

3. Cello Suite No. 1 in G major, BWV 1007: III. Courante

4. Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande

5. Cello Suite No. 1 in G major, BWV 1007: V. Menuet I-II-I  

6. Cello Suite No. 1 in G major, BWV 1007: VI. Gigue

7. Cello Suite No. 2 in D minor, BWV 1008: I. Prelude

8. Cello Suite No. 2 in D minor, BWV 1008: II. Allemande

9. Cello Suite No. 2 in D minor, BWV 1008: III. Courante

10. Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande

11. Cello Suite No. 2 in D minor, BWV 1008: V. Menuet I-II-I

12. Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue

13. Cello Suite No. 6 in D major, BWV 1012: I. Prelude

14. Cello Suite No. 6 in D major, BWV 1012: II. Allemande

15. Cello Suite No. 6 in D major, BWV 1012: III. Courante

16. Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande  

17. Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I-II-I  

18. Cello Suite No. 6 in D major, BWV 1012: VI. Gigue

CD 2:

1 Cello Suite No. 3 in C major, BWV 1009: I. Prelude

2. Cello Suite No. 3 in C major, BWV 1009: II. Allemande

3. Cello Suite No. 3 in C major, BWV 1009: III. Courante

4. Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande  

5. Cello Suite No. 3 in C major, BWV 1009: V. Bourree I-II-I

6. Cello Suite No. 3 in C major, BWV 1009: VI. Gigue  

7. Cello Suite No. 4 in E flat major, BWV 1010: I. Prelude

8. Cello Suite No. 4 in E flat major, BWV 1010: II. Allemande

9. Cello Suite No. 4 in E flat major, BWV 1010: III. Courante

10. Cello Suite No. 4 in E flat major, BWV 1010: IV. Sarabande

11. Cello Suite No. 4 in E flat major, BWV 1010: V. Bourree I-II-I

12. Cello Suite No. 4 in E flat major, BWV 1010: VI. Gigue

13. Cello Suite No. 5 in C minor, BWV 1011: I. Prelude  

14. Cello Suite No. 5 in C minor, BWV 1011: II. Allemande

15. Cello Suite No. 5 in C minor, BWV 1011: III. Courante

16. Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande

17. Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I-II-I

18. Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue

DOWNLOAD:

CD 1 / CD 2

Sebastian Klinger

Tenía las suites para violonchelo de Bach ya. Pieter Wispelwey. Desde mi punto de vista, mejor grabación del mundo: la inspiración, versátil, el Summum. 

He oído muchas veces otros interpretes, que todos me han alentado en mi opinión. Hasta que oí Sebastian Klinger. 

En primer lugar, la maravilla. Esto le dice exactamente igual que el cello de Pieter Wispelwey! Sólo: cuenta una historia diferente. Emocionante, expresivo como Wispelwey - pero diferente. y... Original! 

 

Entonces despues de comprarlo.... oí una y otra vez.... uffff MARAVILLOSO!!

Conclusión: Este CD es una referencia. Una obra maestra. Al igual que Sebastian Klinger hace de su violonchelo  un canto , puede ser reflexivO, alegre, enérgico, melancólico, orgulloso, modesto,  hay una sola conclusión: 

Wispelwey es el más grande. Klinger también!!!

Muchas gracias a todos..

KARL.

Meyer: Bach – Unaccompanied Cello Suites

Meyer: Bach - Unaccompanied Cello Suites (APE)

 APE (image+cue)
 Edgar Meyer  

CD:

 Suite for solo cello No. 2 in D minor, BWV 1008

Composed by Johann Sebastian Bach

with Edgar Meyer

 Suite for solo cello No. 1 in G major, BWV 1007

Composed by Johann Sebastian Bach

with Edgar Meyer

 Suite for solo cello No. 5 in C minor, BWV 1011

Composed by Johann Sebastian Bach

with Edgar Meyer

01. Suite for Solo Cello No. 2 in D minor, BWV 1008: I. Prélude

02. Suite for Solo Cello No. 2 in D minor, BWV 1008: II. Allemande

03. Suite for Solo Cello No. 2 in D minor, BWV 1008: III. Courante

04. Suite for Solo Cello No. 2 in D minor, BWV 1008: IV. Sarabande

05. Suite for Solo Cello No. 2 in D minor, BWV 1008: V. Menuett I & II

06. Suite for Solo Cello No. 2 in D minor, BWV 1008: VI. Gigue

07. Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prélude

08. Suite for Solo Cello No. 1 in G Major, BWV 1007: II. Allemande

09. Suite for Solo Cello No. 1 in G Major, BWV 1007: III. Courante

10. Suite for Solo Cello No. 1 in G Major, BWV 1007: IV. Sarabande

11. Suite for Solo Cello No. 1 in G Major, BWV 1007: V. Menuett I & II

12. Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue

13. Suite for Solo Cello No. 5 in C minor, BWV 1011: I. Prélude

14. Suite for Solo Cello No. 5 in C minor, BWV 1011: II. Allemande

15. Suite for Solo Cello No. 5 in C minor, BWV 1011: III. Courante

16. Suite for Solo Cello No. 5 in C minor, BWV 1011: Suite for Solo Cello No. 5 in C minor, BWV 1011/IV. Sarabande

17. Suite for Solo Cello No. 5 in C minor, BWV 1011: V. Gavotte I & II

18. Suite for Solo Cello No. 5 in C minor, BWV 1011: VI. Gigue

DOWNLOAD

Edgar Meyer

Edgar Meyer

Muchas gracias a todos.

KARL.

Great Violonists, Menuhin: Bach – Violin Concertos

Great Violonists, Menuhin: Bach - Violin Concertos (APE) 

/ Audio CD (2001) / Number of Discs: 1 / Format: APE (image+cue) / Label: Naxos / Size: 124 MB /  Recovery: +3% / Scan: yes

CD:

01. Violin Concerto No.1 in A minor: I. Allegro (non tanto)
02. II. Andante
03. III. Allegro assai
04. Violin Concerto No.2 in F major: I. Allegro
05. II. Adagio
06. III. Allegro assai
07. Concerto for Two Violins: I. Vivace
08. II. Largo ma non tanto
09. III. Allegro
10. Sonata No. 2 in A minor: Andante

Paris Symphony Orchestra
Conductor – Pierre Monteux
Recorded: 1932-1936

DOWNLOAD

Pierre Monteux

George Enescu

Yehudi  Menuhin

Muchas gracias a todos.

KARL.

Alfred Deller: Music of Handel, Bach and the English Renaissance. Vol.4 (6 CD box set, FLAC)

Alfred Deller: Music of Handel, Bach and the English Renaissance. Vol.4 (6 CD box set, FLAC)

Performer: Maurice Bevan, John Frost / Composer: George Frederick Handel, Johann Sebastian Bach, John Dowland,  John Bartlet / Audio CD (March 10, 2009) /  Number of Discs: 6 CD box set / Format: FLAC, CUE /Label: Musical Concepts  / Size: 1.87 GB / Recovery: +3% / Scan: yes

CDs:

Disc 1:
01. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — ‘Tis Heaven’s all-ruling pow’r
02. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — O spare your daughter
03. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — Laud her all ye virgin train
04. George Frideric Handel: Serse-Opera (1738-London) — Ombra mai fu
05. George Frideric Handel: Orlando-Opera (1733-London) — Ah! Stigie larve
06. George Frideric Handel: L’Allegro, il Pensoroso ed il Moderato-Oratorio (1740), HWV 55 — Let me wander
07. George Frideric Handel: Orlando-Opera (1733-London) — Cielo se tu il consenti
08. George Frideric Handel: Rinaldo-Opera (1711-London) — Lascia ch’io pianga
09. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Kind Heav’n, if Virtue be thy care
10. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Wide spread his name
11. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Sweet Rose, and Lilly, flow’ry Form
12. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — To thee thou glorious son of worth
13. George Frideric Handel: Coronation Anthems — Zadok the priest
14. George Frideric Handel: Coronation Anthems — The King shall rejoice
15. George Frideric Handel: Coronation Anthems — Let thy hand be strenghtened

Disc 2:
01. George Frideric Handel: Ode for the Birthday of Queen Anne — Largo: Eternal source of light divine
02. George Frideric Handel: Ode for the Birthday of Queen Anne — Andante: Let all the winged …
03. George Frideric Handel: Ode for the Birthday of Queen Anne — Andante: Let flocks …
04. George Frideric Handel: Ode for the Birthday of Queen Anne — Let rolling streams …
05. George Frideric Handel: Ode for the Birthday of Queen Anne — Kind health descends
06. George Frideric Handel: Ode for the Birthday of Queen Anne — Let envy then conceal her head
07. George Frideric Handel: Ode for the Birthday of Queen Anne — United nations shall combine
08. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Vergnügte Ruh’
09. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Recitative: Die Welt, das Sündenhaus
10. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Wie jammern
11. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Recitative: Wer solte sich
12. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Wie leid ist mir das Leben
13. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Aria: Widerstehe
14. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Recitative: Die Art
15. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Aria: Wer Sunde tut
16. Johann Sebastian Bach: Mass in b minor, BWV233 — Agnus Dei

Disc 3:
01. George Frideric Handel: Alexander’s Feast – Part I — Overture (Maestoso-Allegro ma non troppo-Andante)
02. George Frideric Handel: Alexander’s Feast – Part I — Recitative: ‘Twas at the royal feast
03. George Frideric Handel: Alexander’s Feast – Part I — Air and Chorus: Happy, happy, happy
04. George Frideric Handel: Alexander’s Feast – Part I — Recitative: Timotheus, plac’d on high
05. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: The song began
06. George Frideric Handel: Alexander’s Feast – Part I — Chorus: The list’ning crowd
07. George Frideric Handel: Alexander’s Feast – Part I — Air: With ravish’d ears
08. George Frideric Handel: Alexander’s Feast – Part I — Recitative: The praise of Bacchus
09. George Frideric Handel: Alexander’s Feast – Part I — Air and Chorus: Bacchus, ever fair
10. George Frideric Handel: Alexander’s Feast – Part I — Recitative: Sooth’d with the sound
11. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: He chose a mournful Muse
12. George Frideric Handel: Alexander’s Feast – Part I — Air: He sung Darius
13. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: With downcast looks
14. George Frideric Handel: Alexander’s Feast – Part I — Chorus: Behold Darius
15. George Frideric Handel: Alexander’s Feast – Part I — Recitative: The mighty master smil’d
16. George Frideric Handel: Alexander’s Feast – Part I — Air: Softly sweet in Lydian measures
17. George Frideric Handel: Alexander’s Feast – Part I — Air: War, he sung, is toil and trouble
18. George Frideric Handel: Alexander’s Feast – Part I — Chorus: The many rend the skies
19. George Frideric Handel: Alexander’s Feast – Part I — Air: The Prince, unable to conceal
20. George Frideric Handel: Alexander’s Feast – Part I — Chorus da capo: The many rend the skies
21. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Now strike the golden Lyre again
22. George Frideric Handel: Alexander’s Feast – Part II — Chorus: Break his bands of sleep asunder
23. George Frideric Handel: Alexander’s Feast – Part II — Air: Revenge, revenge
24. George Frideric Handel: Alexander’s Feast – Part II — Largo: Behold the ghastly band

Disc 4:
01. George Frideric Handel: Alexander’s Feast – Part II — Air da capo: Revenge, revenge
02. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Give the vengeance due
03. George Frideric Handel: Alexander’s Feast – Part II — Air: The princes applaud
04. George Frideric Handel: Alexander’s Feast – Part II — Air and chorus: Thais led the way
05. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Thus, long ago
06. George Frideric Handel: Alexander’s Feast – Part II — Chorus: At last divine Cecilia came
07. George Frideric Handel: Alexander’s Feast – Part II — Recitative: Let old Timotheus yield the prize
08. George Frideric Handel: Alexander’s Feast – Part II — Chorus and soloists: Let old Timotheus yield the prize
09. John Dowland: Book of Airs, 1597 — Air: Can she excuse my wrongs?
10. Thomas Morley: A Plaine and Easie Introduction to Practicall Musicke — Air for three viols (instr.)
11. John Bartlett (m) / George Gascoigne (t): A Book of Ayres … 1606 — Air: Of all the birds that I do know
12. Robert Johnson: Fitwilliam Virginal Book — Alman for harpsichord (set by Gilles Farnaby) (instr.)
13. John Dowland: Book of Airs, 1597 — Air: If my complaints could passions move
14. John Jenkins: Pavan for four viols (instr.)
15. Thomas Campian: Rosseter’s Book of Ayres, 1601 — Air: I care not for these ladies
16. John Dowland: Air for lute solo: My Lady Hunsdon’s Puffe (instr.)
17. Robert Parsons: Air: Pandolpho (orn. for lute)
18. John Jenkins: Fantasia in C for four viols (instr.)
19. John Dowland: A Pilgrim’s Solace — Air: From silent night
20. Giles Farnaby: Fitwilliam Virginal Book — Variations for harpsichord on “Up Tails All” (instr.)

Disc 5:
01. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Incipit Lamentatio Jeremiae Prophetae
02. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Aleph; Quomodo sedet
03. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Beth
04. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Plorans ploravit
05. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — De Lamentatione Jeremiae Prophetae
06. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Ghimel
07. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Migravit Judas
08. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Daleth
09. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Omnes persecutores
10. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Heth
11. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Facti sunt
12. Thomas Tallis: Jesu salvator saeculi
13. Thomas Tallis: Deus tuorum militum
14. Thomas Tallis: O nata lux de lumine
15. Thomas Tallis: Jam Christus astra ascenderat
16. Thomas Tallis: Salvator mundi Domine
17. Anon., arr. Edmund Fellowes, British Museum, Add. Mss. 17, 786-91: My Sweet Little Darling
18. Anon., arr. Peter Warlock, Christ Church, Oxford, Mss. 984-8: Guichardo
19. William Corkine, arr. Thurston Dart: What Bootheth Love?
20. Anon., arr. Peter Warlock: Ah, Silly Poor Joas
21. Thomas Whythorne, arr. Peter Warlock: Buy New Broom
22. William Byrd, arr. Fellowes: Elegy on the death of Thomas Tallis, 1585 — Ye Sacred Muses
23. William Byrd, arr. Edmund Fellowes, : Psalms, Sonnets, and Songs of Sadness and Piety, made into Music of Five Parts, 1588 — Lullaby, My Sweet Little Baby
24. Richard Nicholson, arr. Peter Warlock: In a Merry May Morn
25. Robert Parsons, arr. Peter Warlock: Pandolpho
26. William Byrd, arr. Peter le Huray & Thurston Dart: Come, pretty Babe
27. Anon., arr. Peter Warlock: O Death, Rock Me Asleep

Disc 6:
01. John Blow: The Self-Banished
02. John Weldon: The Nightingale
03. Georg Friedrich Händel: from Rodelinda, 1725 — Dove sei
04. Johann Sebastian Bach: from the Notebook for Anna Magdalena Bach, 1725 — Bist du bei mir
05. Matthew Locke: Melothsia, 1673 — Voluntary in G for organ
06. Henry Purcell: Elegy on the death of Queen Mary, 1695 — The Queen’s Epicedium
07. Matthew Locke: Melothsia, 1673 — Voluntary in F for organ
08. Pelham Humfrey (or Hemphryes): Harmonia Sacra, Book I, 1688 — A Hymn to God the Father
09. Thomas Morley: The First Book of Canzonets to Two Voices, 1595 — Sweet Nymph, Come to Thy Lover
10. Henry Purcell: Love’s Goddess Birthday Song for Queen Mary, 1692 — Sweetness of Nature
11. Robert Jones: A Musicall Dreame or 4th Book of Airs — Sweet Kate
12. Thomas Morley: Canzonets for Two Voices — Miraculous love’s wounding
13. Thomas Morley: Canzonets for Two Voices — I go before, my darling
14. John Blow: Amphion Anglicus (London, 1600) — If my Celia could persuade
15. John Blow: Amphion Anglicus (London, 1600) — Ah Heav’n! What is it I hear?
16. Richard Deering: Cantica Sacra (London, 1662) — O bone Jesu
17. Richard Deering: Cantica Sacra (London, 1662) — Gaudent in coelis
18. Anon., Fayrfax Ms (er. John Stevens): Ah, My Dear Son

DOWNLOAD:

CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6

Thomas Morley  

(?, c. 1557-?, c. 1603) Compositor inglés. Se formó con W. Byrd y fue organista de la catedral de San Pablo de Londres y caballero de la capilla Real. Fue también un notable teórico (Sencilla y fácil introducción a la música práctica, 1597) y un influyente editor. Es autor de canciones, de madrigales y de aires para laúd.

Thomas Tallis

(Leicestershire?, actual Reino Unido, h. 1505-Greenwich, id., 1585) Compositor y organista inglés. Poco es lo que se conoce de su vida: la primera referencia que se conserva de él lo sitúa en 1532 como organista de la abadía benedictina de Dover. Desde 1543 fue organista de la capilla real, cargo que conservó bajo los reinados Enrique VIII, Eduardo VI, María Tudor e Isabel I. Asociado al también compositor William Byrd, en 1575 logró un privilegio de la Corona según el cual se le concedió el monopolio de la impresión musical en Inglaterra. Su producción incluye sobre todo música vocal destinada a los oficios divinos, tanto protestantes como católicos. En inglés y latín, respectivamente, veinte anthems y nueve salmos conforman el núcleo del primero, mientras que el segundo, caracterizado por el uso de un elaborado y complejo contrapunto, halla en sus tres misas y cincuenta y dos motetes –uno de ellos, Spem in alium non habui (No he tenido esperanza en lo ajeno), a cuarenta voces– su más lograda expresión. Tallis compuso también cierto número de obras para teclado.

Muchas gracias a todos.

KARL.

Walcha: Bach – Organ Works, The 1947 – 1952 Recordings (10 CD )

Walcha: Bach - Organ Works, The 1947 - 1952 Recordings (10 CD box set, APE)

 Performer: Helmut Walcha  / Composer: Johann Sebastian Bach, Johann Ludwig Krebs / Audio CD (February 10, 2004) / Number of Discs: 10 CD box set /  Format: APE (image+cue) / Label: Deutsche Grammophon / Size: 1.79 GB /  Scan: yes

CD:
# Organ by Arp Schnitger in Cappel (Demonstration of the registration and improvisation by Helmut Walcha)
Composed by Helmut Walcha
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 531 (BC J9)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in D major (“Little”), BWV 532 (BC J13, 54, 70)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E minor (“Cathedral”), BWV 533 (BC J18)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in F minor, BWV 534 (BC J20)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G minor, BWV 535 (BC J23)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A major, BWV 536 (BC J24)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in D minor (“Dorian”), BWV 538 (BC J38)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in C minor, BWV 537 (BC J40)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in D minor (“Fiddle;” doubtful), BWV 539 (BC J15, 71)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in F major, BWV 540 (BC J39, 55, 73)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G major, BWV 541 (BC J22)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in G minor (“Great”), BWV 542 (BC J42, 57, 67)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A minor “The Great,” BWV 543 (BC J42)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in B minor, BWV 544 (BC J27)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 545 (BC J51)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C minor, BWV 546 (BC J12, 53, 69)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 547 (BC J11)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E minor (“Wedge”), BWV 548 (BC J19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G major, BWV 550 (BC J21)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A minor, BWV 551 (BC J25)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata, Adagio and Fugue, for organ in C major, BWV 564 (BC J36)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E major, BWV 566 (BC J17)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Pièce d’orgue (Fantasia), for organ in G major, BWV 572 (BC J83)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fugue for organ in G minor (“Little”), BWV 578 (BC J66)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Canzona, for organ in D minor, BWV 588 (BC J80)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Alla breve, for organ in D major, BWV 589 (BC J64)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Pastorale for organ in F major, BWV 590 (BC J81)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E flat major (“St. Anne;” Clavier-Übung III/26), BWV 552 (BC J16) Prelude
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott Vater in Ewigkeit (I), chorale prelude for organ (Clavier-Übung III/1), BWV 669 (BC K1)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, aller Welt Trost (I), chorale prelude for organ (Clavier-Übung No. 2), BWV 670 (BC K2)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott heiliger Geist (I), chorale prelude for organ (Clavier-Übung III/3), BWV 671 (BC K3)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (VI), chorale prelude for organ (Clavier-Übung III/8), BWV 676 (BC K8)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Dies sind die heilgen zehn Gebot (II), chorale prelude for organ (Clavier-Übung III No. 11), BWV 678 (BC K10)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir glauben all an einen Gott (I), chorale prelude for organ, BWV 680 (BC K12)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (II), chorale prelude for organ (Clavier-Übung No. 14), BWV 682 (BC K14)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ, unser Herr, zum Jordan kam (I), chorale prelude for organ (Clavier-Übung III/16), BWV 684 (BC K16)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Aus tiefer Not schrei ich zu dir (I), chorale prelude for organ á 6 (Clavier-Übung III/18), BWV 686 (BC K18)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (VI), chorale prelude for organ (Clavier-Übung III/20), BWV 688 (BC K20)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 1 in E minor (Clavier-Übung III No. 23), BWV 802 (BC J74)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 2 in F major (Clavier-Übung III No. 24), BWV 803 (BC J75)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 3 in G major (Clavier-Übung III No. 25), BWV 804 (BC J76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 4 in A minor (Clavier-Übung III No. 26), BWV 805 (BC J77)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott Vater in Ewigkeit (II), chorale prelude for organ (Clavier-Übung III/4), BWV 672 (BC K4)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, aller Welt Trost (II), chorale prelude for organ (Clavier-Übung No. 5), BWV 673 (BC K5)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott heiliger Geist (II), chorale prelude for organ (Clavier-Übung III/6), BWV 674 (BC K6)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (V), chorale prelude for organ (Clavier-Übung III/7), BWV 675 (BC K7)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Allein Gott in der Höh sei Ehr, for organ (Clavier-Ubung III/9), BWV 677 (BC K9)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Dies sind die heilgen zehn Gebot, for organ (Clavier-Übung III/11), BWV 679 (BC K11)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Wir glauben all an einen Gott, for organ (Clavier-Übung III/13), BWV 681 (BC K13)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (III), chorale prelude for organ (Clavier-Übung No. 145), BWV 683 (BC K15)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ, unser Herr, zum Jordan kam (II), chorale prelude for organ (Clavier-Übung III/17), BWV 685 (BC K17)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Aus tiefer Not schrei ich zu dir (II), chorale prelude for organ á 4 (Clavier-Übung III/19), BWV 687 (BC K19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fuga super Jesus Christus unser Heiland, fugue for organ (Clavier-Übung III/21), BWV 689 (BC K21)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E flat major (“St. Anne;” Clavier-Übung III/26), BWV 552 (BC J16) Fugue
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia super Komm, Heiliger Geist, chorale prelude for organ (Achtzehn Choräle No. “0″), BWV 651 (BC K74)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, heiliger Geist (I), chorale prelude for organ (Achtzehn Choräle No. 1), BWV 652 (BC K75)
Composed by Johann Sebastian Bach
with Helmut Walcha

# An Wasserflüssen Babylon (I), chorale prelude for organ, BWV 653a (BC K76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Schmücke dich, o liebe Seele (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 654 (BC K77)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 655 (BC K78)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Lamm Gottes unschuldig (II), chorale prelude for organ (Achtzehn Choräle No. 5), BWV 656 (BC K79)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun danket alle Gott, chorale prelude for organ (Achtzehn Choräle No. 6), BWV 657 (BC K80)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Von Gott will ich nicht lassen, chorale prelude for organ (Vehrzehn Choräle No. 7), BWV 658 (BC K81)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 8), BWV 659 (BC K82)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Nun komm der Heiden Heiland (I), chorale prelude for organ (Achtzehn Choräle No. 9), BWV 660 (BC K83)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 10), BWV 661 (BC K84)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (I), chorale prelude for organ (Achtzehn Choräle No. 11), BWV 662 (BC K85)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (III), chorale prelude for organ (Achtzehn Choräle No. 12), BWV 663 (BC K86)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664 (BC K87)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 14), BWV 665 (BC K88)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 15), BWV 666 (BC K89)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, Gott Schöpfer, heiliger Geist (III), chorale prelude for organ (Achtzehn Choräle No. 17), BWV 667 (BC K90)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vor deinen Thron tret ich hiermit (II), chorale prelude for organ, BWV 668a
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 1), BWV 599 (BC K28)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Gott, durch deine Güte, chorale prelude for organ (Orgel-Büchlein No. 2), BWV 600 (BC K29)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Christ, der einig Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 3), BWV 601 (BC K30)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Lob sei dem allmächtigen Gott (I), chorale prelude for organ (Orgel-Büchlein No. 4), BWV 602 (BC K31)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Puer natus in Bethlehem, chorale prelude for organ (Orgel-Büchlein No. 5), BWV 603 (BC K32)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Gelobet seist du, Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 6), BWV 604 (BC K33)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Der Tag, der ist so freudenreich (I), chorale prelude for organ (Orgel-Büchlein No. 7), BWV 605 (BC K34)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel hoch, da komm ich her (I), chorale prelude for organ (Orgel-Büchlein No. 8), BWV 606 (BC K35)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel kam der Engel schar, chorale prelude for organ (Orgel-Büchlein No. 9), BWV 607 (BC K36)
Composed by Johann Sebastian Bach
with Helmut Walcha

# In dulci jubilo (I), chorale prelude for organ (Orgel-Büchlein No. 10), BWV 608 (BC K37)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Lobt Gott, ihr Christen, allzugleich (I), chorale prelude for organ (Orgel-Büchlein No. 11), BWV 609 (BC K38)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesu, meine Freude (I), chorale prelude for organ (Orgel-Büchlein No. 12), BWV 610 (BC K39)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christum wir sollen loben schon, chorale prelude for organ (Orgel-Büchlein No. 13), BWV 611 (BC K40)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir Christenleut’ (I), chorale prelude for organ (Orgel-Büchlein No. 14), BWV 612 (BC K41)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Helft mir Gottes Güte preisen (I), chorale prelude for organ (Orgel-Büchlein No. 15), BWV 613 (BC K42)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Das alte Jahr vergangen ist (I), chorale prelude for organ (Orgel-Büchlein No. 16), BWV 614 (BC K43)
Composed by Johann Sebastian Bach
with Helmut Walcha

# In dir ist Freude, chorale prelude for organ (Orgel-Büchlein No. 17), BWV 615 (BC K44)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Mit Fried’ und Freud’ ich fahr dahin, chorale prelude for organ (Orgel-Büchlein No. 18), BWV 616 (BC K45)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Gott, nun schleuss den Himmel auf (I), chorale prelude for organ (Orgel-Büchlein No. 19), BWV 617 (BC 46)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Lamm Gottes unschuldig (I), chorale prelude for organ (Orgel-Büchlein No. 20), BWV 618 (BC K47)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, du Lamm Gottes, chorale prelude for organ (Orgel-Büchlein No. 21), BWV 619 (BC K19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christus, der uns selig macht (I), chorale prelude for organ (Orgel-Büchlein No. 22), BWV 620 (BC K49)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Da Jesus an dem Kreuze stund’, chorale prelude for organ (Orgel-Büchlein No. 23), BWV 621 (BC K50)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Mensch, bewein’ dein’ Sünde gross, chorale prelude for organ (Orgel-Büchlein No. 24), BWV 622 (BC K51)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir danken dir, Herr Jesu Christ, chorale prelude for organ (Orgel-Büchlein No. 25), BWV 623 (BC K52)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Hilf Gott, dass mir’s gelinge, chorale prelude for organ (Orgel-Büchlein No. 26), BWV 624 (BC K53)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ lag in Todesbanden (I), chorale prelude for organ (Orgel-Büchlein No. 24), BWV 625 (BC K55)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 28), BWV 626 (BC K56)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ ist erstanden (I), chorale prelude for organ (Orgel-Büchlein No. 26), BWV 627 (BC K57)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Erstanden ist der heil’ge Christ (I), chorale prelude for organ (Orgel-Büchlein No. 30), BWV 628 (BC K58)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Erschienen ist der herrliche Tag, chorale prelude for organ (Orgel-Büchlein No. 31), BWV 629 (BC K59)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Heut triumphieret Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 32), BWV 630 (BC K60)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, Gott Schöpfer, heiliger Geist (I), chorale prelude for organ (Orgel-Büchlein No. 33), BWV 631 (BC K61)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Orgel-Büchlein No. 34), BWV 632 (BC K62)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Liebster Jesu, wir sind hier (I), chorale prelude for organ (Orgel-Büchlein No. 35), BWV 633 (BC K63b)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Dies sind die heilgen zehn Gebot (I), chorale prelude for organ (Orgel-Büchlein No. 37), BWV 635 (BC K64)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (I), chorale prelude for organ (Orgel-Büchlein No. 34), BWV 636 (BC K65)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Durch Adams Fall ist ganz verderbt (I), chorale prelude for organ (Orgel-Büchlein No. 39), BWV 637 (BC K66)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Es ist das Heil uns kommen her (I), chorale prelude for organ (Orgel-Büchlein No. 40), BWV 638 (BC K67)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 41), BWV 639 (BC K68)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ich dich hab ich gehoffet, Herr, chorale prelude for organ (Orgel-Büchlein No. 41), BWV 640 (BC K69)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wenn wir in höchsten Nöten sein, chorale prelude for organ (Orgel-Büchlein No. 43), BWV 641 (BC K70)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wer nur den lieben Gott lässt walten (I), chorale prelude for organ (Orgel-Büchlein No. 44), BWV 642 (BC K71)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Alle Menschen müssen sterben (I), chorale prelude for organ (Orgel-Büchlein No. 44), BWV 643 (BC K72)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ach wie nichtig, ach wie flüchtig, chorale prelude for organ (Orgel-Büchlein No. 45), BWV 644 (BC K73)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wo soll ich fliehen hin (I), chorale prelude for organ (Schübler Chorale No. 2), BWV 646 (BC K23)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wer nur den lieben Gott lässt walten (II), chorale prelude for organ (Schübler Chorale No. 3), BWV 647 (BC K24)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Meine Seele erhebet den Herren, chorale prelude for organ (Schübler Chorale No. 4), BWV 648 (BC K25)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ach bleib’ bei uns, Herr Jesu Christ, chorale prelude for organ (“Schübler No. 5″), BWV 649 (BC K26)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale No. 6), BWV 650 (BC K27)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herzlich tut mich verlangen, chorale prelude for organ, BWV 727 (BC K109)
Composed by Johann Sebastian Bach
with Helmut Walcha

# An Wasserflüssen Babylon (II), chorale prelude for organ, BWV 653b (BC K76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Valet will ich dir geben, chorale prelude for organ, BWV 736 (BC K131)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fugue on the Magnificat: “Meine Seele erhebet den Herren”, for organ (formerly BWV 733)
Composed by Johann Ludwig Krebs
with Helmut Walcha

# Nun freut euch, lieben Christen gmein (I), chorale prelude for organ, BWV 734 (BC K125)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel hoch, da komm ich her (II), chorale prelude for organ, BWV 700 (BC K156)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Sei gegrüsset, Jesu gütig, chorale partita for organ, BWV 768 (BC K96)
Composed by Johann Sebastian Bach
with Helmut Walcha



# Einige canonische veränderungen über das Weynacht-Lied “Von himmel hoch” (I), for organ, BWV 769
Composed by Johann Sebastian Bach
with Helmut Walcha


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CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6 / CD 7 / CD 8 / CD 9 / CD 10

¿Por qué «luz de las tinieblas? Walcha era ciego, y su conocimiento de la polifonía interior de las obras de Bach aparece casi en blanco y negro ». De hecho, a menudo encuentro que escuchar a Walcha me recuerda a un cristal de agua: perfecto, pero casi no existente... la polifonía es perfecta (toucher Walcha era único, y sus registros a menudo implican un sonido agudo - y por lo tanto se puede escuchar todo). Y se las arregla para que parezca no estar presente: la música es, no el intérprete. Por supuesto que no es cierto. Su forma de tocar es tan personal que usted encontrará todos los organistas  diferentes.

Fue sin duda el más importante - en términos de impacto - de todos los organistas bachianos... Como cuestión de hecho, su equipo de música grabaciones de Bach se presentan a menudo como el estándar. Por lo tanto, es inevitable comparar este mono conjunto con el más conocido.

Ahora no creo que Bach Walcha es muy Bachiáno - No creo que Bach tenga ese estilo en sus  composiciones. Sin embargo, la mayor parte de su forma de tocar es muy impresionante (Ha tocado todos los órganos más importantes y las obras clave de Bach) y  se ve en una de las mentes musicales más potente de la historia (Bach) a través de una de las mentes más inteligentes de interpretación (Walcha). Algunos de los interpretattions Walcha ... son, creo, casi imposibles de mejorar.

 Helmut Walcha

Helmut Walcha

Muchas gracias a todos.

KARL.

Marriner - Conciertos para Trompeta y Cantatas

Marriner - Conciertos para Trompeta y Cantatas (FLAC)

Performer: Daniel Arrignon, Helen Donath, Bernard Soustrot, Maurice André, Iona Brown / Orchestra: Academy of St. Martin in the Fields / Conductor: Neville Marriner / Composer: Tomaso Albinoni, Johann Sebastian Bach, Alessandro Scarlatti, Gottfried Heinrich Stolzel, Antonio Vivaldi / Audio CD (January 17, 1997) / Number of Discs: 1 / Format: FLAC (image+cue) /  Label: Royal Opera Records /  Size: 298 MB / Recovery: +3% / Scan: yes.

CD:

01. I . Allegro
02. II. Largo
03. III. Allegro
04. Aria: Jauchzet Gott In Allen Landen
05. Recitative: Wir Beten Zu Den Tempel An
06. Aria: Hochster, Mache Deine Gute
07. Chorale: Sei Lob And Preis Mit Ehren
08. Alleluia
09. I. Allegro
10. II. Adagio (Non Troppo)
11. III. Allegro
12. Sinfonia
13. Recitative
14. Sinfonia
15. Aria: Contentatevi
16. Recitative: Mesto, Stanco E Spirante
17. Largo: Infelice Miel Lumi
18. Aria: Dite Almeno
19. Ritornello
20. Recitative: All’aura, Al Cielo
21. Aria: Tralascia Pur Di Piangere
22. I. Allegro
23. II. Largo
24. III. Allegro

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Bach Violin Concertos & Gubaidulina ‘In Tempus Praesens'

Bach Violin Concertos & Gubaidulina ‘In Tempus Praesens' (1 CD, FLAC)

 Anne-Sophie Mutter, Trondheim Soloists / Orchestra: London Symphony Orchestra /  Valery Gergiev / Composer: Johann Sebastian Bach, Sofia Gubaidulina / Audio CD (October 7, 2008) / Number of Discs: 1 

CD:

01. Violin Concerto No.1 in A minor, BWV 1041 – 1. (Allegro moderato)
02. Violin Concerto No.1 in A minor, BWV 1041 – 2. Andante 6:41
03. Violin Concerto No.1 in A minor, BWV 1041 – 3. Allegro assai
04. Violin Concerto No.2 in E, BWV 1042 – 1. Allegro
05. Violin Concerto No.2 in E, BWV 1042 – 2. Adagio
06. Violin Concerto No.2 in E, BWV 1042 – 3. Allegro assai
07. In tempus praesens (Concerto for Violin and Orchestra)

In Tempus Praesens

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Han pasado más de 20 años desde que la Sra. Mutterhabía registrado los dos conciertos para Bach y ahora se demuestra claramente su actitud cambio y "nuevas ideas". Asi mismo, ha pasado casi una década desde que la Sra. Mutter registró el  anunciado Vivaldi: Las cuatro estaciones / Tartini: El Trino del Diablo con los Solistas de Trondheim , sobre la base de gira con ellos antes de esta grabación, produce una cohesión de sonido maravillosamente y la interacción en ambas piezas de Bach. Las 'piezas de resistencia' de Violín Concerto No. 1 en La menor son la belleza  con el Andante y los movimientos Allegro assai. Del mismo modo, el Adagio y Allegro assai del n º 2 son de excepcional esplendor. El rendimiento de densidad e intensidad Sra. Gubaidulina de 32 minutos "En Praesens tempus" (en la actualidad) se está disparando y emocionalmente influye en que refleja tanto la Rusia de su pasado y nuestras inseguridades de hoy en día en su concierto sin el convencional "héroe" (solista ). El ardiente arco  de la Sra. Mutter produce un trabajo intenso , incandescente belleza y de fuerza. Los cinco movimientos se realizan en una sola pieza continua apasionada. Anne-Sophie Mutter, el maestro Gergiev y la Orquesta Sinfónica de Londres, utilizando la instrumentación inusual, dar a esta magnífica obra  la grandeza  que se merece. Este es un CD de las actuaciones destacadas de las grandes obras. Felicitaciones a todos los interesados. Mi recomendación más alta. Cinco Estrellas IMPRESIONANTE !!!!

Sofia Gubaidulina

Muchas gracias a todos.

KARL.

Herreweght: Bach - Mass In B Minor

Herreweght: Bach - Mass In B Minor (2 CD, APE)

 / Composer: Johann Sebastian Bach / Performer: Veronique Gens, Peter Kooy, Christoph Pregardien, Andreas Scholl / Orchestra: Collegium Vocale Orchestra / Conductor: Philippe Herreweghe / Audio CD (March 10, 1998) /  Number of Discs: 2 / Format: APE (image+cue) /  Label: Harmonia Mundi / Size: 515 MB / Recovery: +3% / Scan: yes

CD:

Disc 1:
01. h-moll-Messe: Kyrie eleison
02. h-moll-Messe: Christe eleison
03. h-moll-Messe: Kyrie eleison
04. h-moll-Messe: Gloria in excelsis Deo
05. h-moll-Messe: Et in terra pax hominibus bonae voluntatis
06. h-moll-Messe: Laudamus te
07. h-moll-Messe: Gratias agimus tibi
08. h-moll-Messe: Domine Deus
09. h-moll-Messe: Qui tollis peccata mundi
10. h-moll-Messe: Qui sedes ad dexteram patris
11. h-moll-Messe: Quoniam tu solus sanctus
12. h-moll-Messe: Cum sancto spiritu

Disc 2:
01. h-moll-Messe: Symbolum nicenum – Credo in unum Deum
02. h-moll-Messe: Symbolum nicenum – Patrem omnipotentem
03. h-moll-Messe: Symbolum nicenum – Et in unum Dominum
04. h-moll-Messe: Symbolum nicenum – Et incarnatus est
05. h-moll-Messe: Symbolum nicenum – Crucifixus
06. h-moll-Messe: Symbolum nicenum – Et resurrexit
07. h-moll-Messe: Symbolum nicenum – Et in spiritum sanctum dominum
08. h-moll-Messe: Symbolum nicenum – Confiteor
09. h-moll-Messe: Symbolum nicenum – Et expecto
10. h-moll-Messe: Sanctus
11. h-moll-Messe: Osanna in excelsis
12. h-moll-Messe: Benedictus
13. h-moll-Messe: Osanna in excelsis
14. h-moll-Messe: Agnus Dei
15. h-moll-Messe: Dona nobis pacem
Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1)
Composed by Johann Sebastian Bach
Performed by Collegium Vocale Orchestra
with Christoph Pregardien, Johannette Zomer, Andreas Scholl, Veronique Gens, Peter Kooy, Hanno Muller-Brachmann
Conducted by Philippe Herreweghe

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CD 1  / CD 2

Esta grabación es, francamente, una maravilla. En los primeros compases del Kyrie, donde la tradición dicta un agonizante grito de gran alcance para la misericordia, Philippe Herreweghe ofrece un asombroso  motivo suave que se escucha la respiración desde toda distancia. Extrovertido movimientos como el Gloria, Et resurrexit, y la falta de emoción en el Sanctus; Qui Tollis y nobis pacem doñacomofervientes oraciones  mejoran el sanctus. Collegium Vocale luminoso de la mano de Herreweghe , sensibles instrumentistas diestros hacen  todos los gestos, grandes y pequeños,  Los solistas tienen voces atractivas que se mezclan con los instrumentos de época y con los demás, mientras que cada uno es exquisito, el tenor Christoph Prégardien y alto Andreas Scholl son magníficos. Detrás de toda la representación existe  un sentimiento de admiración contemplativo  que se adapta a esta música religiosa profunda y perfectamente. 

Philippe Herreweghe

 Collegium Vocale Orchestra

Muchas gracias a todos.

KARL.

Sacred Music from the Middle Ages to the 20th Century (30 CD )

Sacred Music from the Middle Ages to the 20th Century (30 CD )

Composer: Bach, Beethoven, Brahms, Du Mont, Durufle, Faure, Gesualdo, Handel, Leonin, Machaut, Mendelssohn, Monteverdi, Mozart, Pergolesi, Purcell, Rachmaninov, Rossini, Scarlatti, Telemann, Georg, Vivaldi, Audio CD (November 10, 2009) , Number of Discs: 30 CD box set , Format: FLAC (tracks+cue) , Label: Harmonia Mundi , Size: 8.56 GB , Recovery: +3% , Scan: yes

CDs:

J.S.BACH Weihnachts-Oratorium / Oratorio de Noël (2 CD) René Jacobs

HAENDEL Messiah (2 CD) William Christie

MONTEVERDI Vespro della Beata Vergine (2 CD) Philippe Herreweghe

ALESSANDRO SCARLATTI Cain overo Il primo omicidio (2 CD) René Jacobs

MENDELSSOHN Paulus (2 CD) Philippe Herreweghe

BERNSTEIN Mass (2 CD) Kent Nagano

BEETHOVEN Missa Solemnis Philippe Herreweghe

MOZART Requiem Philippe Herreweghe

BRAHMS Requiem allemand Philippe Herreweghe

FAURE Messe de Requiem (version 1893) Philippe Herreweghe

ANON. Messe de Requiem grégorienne Deller Consort

DURUFLÉ Requiem op.7 Choir of Madgalen College

CHARPENTIER Te Deum Dir. William Christie

PERGOLESI Stabat Mater Concerto Vocale, René Jacobs

VIVALDI Stabat Mater Ensemble 415, Chiara Banchini

BOCCHERINI Stabat Mater Ensemble 415, Chiara Banchini

ROSSINI Stabat Mater RIAS Kammerchor, Marcus Creed

MACHAUT Messe de Notre Dame Estonian Philharmonic Chamber Choir

RACHMANINOV Vêpres Dir Paul Hillier

JOSQUIN DESPREZ Missa Pangue lingua Ensemble Clément Janequin

JANEQUIN Messe “La Bataille” Ensemble Clément Janequin

LASSUS Missa “Tous les regretz” Ensemble Huelgas, Paul Van Nevel

PALESTRINA Missa Viri Galilaei Dir. Philippe Herreweghe

BYRD Mass for 4 Voices The Hilliard Ensemble

J.S.BACH Missa brevis in F BWV 233 Cantus Cölln, Konrad Junghänel

POULENC Messe en Sol majeur, Motets RIAS Kammerchor, Marcus Creed

CHARPENTIER Seconde Leçon de Ténèbres du Mercredy Concerto Vocale, René Jacobs

FRANÇOIS COUPERIN Troisième Leçon de Ténèbres Concerto Vocale, René Jacobs

ROVETTA Vespro solenne pour la naissance de Louis XIV Cantus Cölln, Konrad Junghänel

TALLIS 9 Psalm Tunes for Archbishop Parker’s Psalter Stile Antico

SCHÜTZ Concert in Form einer teutschen Begräbnis Dir. Philippe Herreweghe

BRUHNS Cantate Hemmt eure Tränenflut Cantus Cölln, Konrad Junghänel

CD 1 Les premiers chants chrétiens

Répertoires ambrosien, vieux-romain, mozarabe, bénéventain

CD 2 Mille ans de chant grégorien

Messe de Requiem grégorienne, Messe de l’an 1000, Codex Calixtinus, chant cistercien

CD 3 La naissance de la polyphonie

Polyphonie aquitaine à Saint-Martial de Limoges (XIe siècle) • Ecole de Notre Dame (XIIe siècle) Manuscrit de Bamberg (XIIIe siècle) • Chansons mariales du XIIIe siècle Graduel d’Aliénor de bretagne (XIIIe-XIVe siècles) • Cathédrale de Salisbury (XIIIe-XIVe siècles)

CD 4-5 La messe polyphonique du Moyen Âge à la Renaissance

MACHAUT : Messe de Notre Dame • JOSQUIN DESPREZ : Missa Pangue lingua JANEQUIN : Messe “La Bataille” • LASSUS : Missa “Tous les regretz” PALESTRINA : Missa Viri Galilaei • BYRD : Mass for 4 Voices

CD 6 La grande aventure du motet polyphonique

Les motets de l’Ars Antiqua • Le renouveau de l’Ars Nova Motets de la Renaissance • JOSQUIN DESPREZ : Motets

CD 7 Petits et grands motets baroques

BOUZIGNAC : Ecce homo / Ha ! Plange • DUMONT : Super flumina Babylonis * DELALANDE / Lully : Petits et grands motets • CHARPENTIER : Te Deum

CD 8 Lamentations et Leçons de Ténèbres

TIBURTIO MASSAINO : Musica super Threnos Ieremiae prophete

LASSUS : Lamentationes Hieremiae • CHARPENTIER : Seconde Leçon de Ténèbres du Mercredy FRANÇOIS COUPERIN : Troisième Leçon de Ténèbres KRENEK : Hieremiae prophetae Lamentationes

CD 9-10 Vêpres baroques

MONTEVERDI : Vespro della Beata Vergine (2 CD) ROVETTA : Vespro solenne pour la naissance de Louis XIV

CD 11-16 Les grands oratorios

ALESSANDRO SCARLATTI : Cain overo Il primo omicidio – Dir. René Jacobs (2CD) HAENDEL : Messiah —Dir. William Christie (2CD) MENDELSSOHN : Paulus – Dir. Philippe Herreweghe (2 CD)

CD 17-20 Le temps des Réformes

CLAUDIN DE SERMISY, PASCHAL DE L’ESTOCART : Chansons de la Réforme TALLIS : 9 Psalm Tunes for Archbishop Parker’s Psalter PURCELL : Remember not, Lord, our offences, full anthem Z.50 SCHÜTZ : Concert in Form einer teutschen Begräbnis BRUHNS : Cantate Hemmt eure Tränenflut J.S.BACH : Missa brevis in F BWV 233 *  Weihnachts-Oratorium BWV 248 – dir. René Jacobs (2 CD)

CD 21-22 Stabat Mater

PERGOLESI, VIVALDI, BOCCHERINI, ROSSINI : Stabat Mater (oeuvres intégrales)

CD 23-24 Requiem

MOZART, BRAHMS, FAURE, DURUFLE : Requiem (oeuvres intégrales)

CD 25-28 Les temps modernes

BEETHOVEN : Missa Solemnis op.123 • MENDELSSOHN : Psaumes op.78 n°1-3, Psalm 100, Motets op.69 n°1-3, Missa breve, Choralmotett • BRUCKNER : Motets Ave Maria, Christus factus est, Os justi, Locus iste, Vexilla regis • POULENC : Quatre motets pour un temps de pénitence, Quatre motets pour le temps de Noël, Messe en Sol majeur BERNSTEIN : Mass (Œuvre intégrale)

CD 29 Musique orthodoxe d’hier et d’aujourdhui

Œuvres chorales de BORTNIANSKY, TITOV, GALUPPI, SARTI, VEDEL RACHMANINOV : Vêpres

CD1 canto cristiano temprano (siglo 5 al 13) 

Canto, canto, canto! Usted no quiere escuchar esto muchas veces menos que sea un especialista en canto. 

Canto gregoriano CD2 

Incluye Messe de Requiem Grégorienne, cisterciense Chant y organizaciones Magnus Liber Más canto ... 

CD3 nacimiento de la polifonía (1.100 a 1.300) 

Incluye música de la Escuela de Notre-Dame, hockets del manuscrito de Bamberg, etc, etc Ahora es cada vez más interesante!

CD4 motete polifónico de Ars Antiqua al Renacimiento 

Incluye el siglo 14 la música Inglés (Hilliard Ensemble), Dufay, Dunstable, Plummer, y desde el Renacimiento Desprez, Janequin, Byrd, Gesualdo y Hassler 

CD5 y 6 polifónicos misa desde la Edad Media al Renacimiento 

Machaut - Messe de Notre Dame, Desprez - Missa Pange Lingua, Janequin - Messe "La Bataille 

Lassus - Missa "Tous les regretz, Palestrina - Missa` Viri Galilaei, Byrd - Misa a 4 voces 

CD7 francés Motete "Petit" y "Gran Motete" 

Dumont, Lully, Delalande y Te Deum Charpentier. 

Lamentaciones y CD8 Tenebrae 

Música de Massaino, Lassus, Charpentier, Couperin, y Krenek 

CD9/10 Monteverdi Vespro della beata Vergine - Herreweghe 

En mi opinión, no como una buena grabación como el de René Jacobs, pero bueno hay que comparar. 

También Vespro Soledad de G Rovetta (1596-1668) de Cantus Cölln y Konrad Junghänel. Esto es hermoso! 

CD11/12 Alessandro Scarlatti - Caín overo Il Primo Omicidio - René Jacobs 

Una grabación de gran oratorio de Scarlatti de la historia de Caín y Abel. Buena interpretación de orquesta, solistas excelentes. 

Handel CD13/14 - El Mesías - Les Arts Florissants, William Christie 

Un muy meritorio Mesías. Es mucho mejor que los dos Huddersfield Sociedad Coral y la versión de Bernstein, y camina muy cerca de la más emocionante versión de René Jacobs. Los solistas son muy buenas - Barbara Schlick, Sandrine Piau, Andreas Scholl (excelente), de Mark Padmore y Nathan Berg. 

CD15/16 Mendelssohn - Paulus - Herreweghe 

Este trabajo ha sido nuevo en mi opinon, y en una sola audiencia está muy bien realizado, aunque tal vez un poco subestimado. 

CD17 Música para la Iglesia Reformada 

Música de Sermisy, Estocart L', Tallis, Purcell, Schutz, Bruhns y una Missa brevis en Fa de Bach. 

La cantata Bruhns me dieron ganas de investigar su música aún más. 

Bach CD18 y 19 - Oratorio de Navidad - René Jacobs 

Una grabación simplemente impresionante. Solistas son Roschmann Dorotea, Andreas Scholl, Werner Gura y Hager Klaus. 

CD20 y 21 Stabat Mater 

En estos CDs nos Stabat Maters de Pergolesi (el conocido René Jacobs / Sebastián rendimiento Hennig), Boccherini (Agnes Mellon / Conjunto 415/Chiara Banchini), Vivaldi (Scholl / Conjunto 415/Chiara Banchini) y Rossini (RIAS Kammerchor / Credo ). La obra de Rossini era nuevo para mí, me ha llamado todo el interes a oirlo ...

CD22/23/24 Requiem 

En tres CDs que obtener el Réquiem de Mozart (Herreweghe), Brahms (Herreweghe), Faure (1893 version) (también Herreweghe), y Duruflé (Magdalen College de Oxford) 

CD25/26/27/28 siglos 19 y 20 

Beethoven - Missa Solemnis (Herreweghe), Mendelssohn - varios motetes, Bruckner - motetes 

Poulenc - 8 motetes y Messe en Sol Majeur, Bernstein - Misa - lo que es una mezcla gloriosamente de trabajo  

CD29 musical de la Iglesia Ortodoxa - 80mins 

Varias piezas de la 17 ª y 18 siglo y Rachmaninov - All Night Vigil OP37 Vísperas todas magníficamente cantada por el Coro de Cámara de Estonia. 

CD30 archivo PDF de todos los textos... os animo a que la disfruten... Maravilloso, excelente..

HISTORIA DE LA MÚSICA SACRA

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Muchas gracias a todos.

KARL.

Alfred Brendel - Artist's Choice Anniversary Edition (3 CD)

Alfred Brendel - Artist's Choice Anniversary Edition (3 CD) (FLAC)

Audio CD (January 11, 2011) /Original Release Date: 2011/Number of Discs: 3 CD/ Format: FLAC (image+cue) / Label: Decca/ Size: 791 MB/ Recovery: +3%

CD 01

Johann Sebastian Bach – Italian Concerto, BWV 971
01. I. [Allegro]
02. II. Andante
03. III. Presto

Johann Sebastian Bach
04. Fantasia and Fugue in A minor, BWV 904

Wolfgang Amadeus Mozart – Piano Concerto No.17, K453
05. I. Allegro
06. II. Andante
07. III. Allegretto

Franz Schubert
08. Fantasia, Op.15 D760 ‘Wanderer’

Scottish Chamber Orchestra
Sir Charles Mackerras

CD 02
Ludwig van Beethoven
Sonata No.29, Op.106 ‘Hammerklavier’
01. I. Allegro
02. II. Scherzo: Assai vivace
03. III. Adagio sostenuto, appasionato e con molto sentimento
04. IV. Largo – Allegro risoluto

6 Variations in F major, Op.34
05. Thema: Adagio
06. Variation I
07. Variation II: Allegro ma non troppo
08. Variation III: Allegretto
09. Variation IV: Tempo di Minuetto
10. Variation V: Marcia. Allegretto
11. Variation VI: Allegretto – Adagio molto

CD 03
Carl Maria von Weber – Konzertstuck for piano and orchestra, Op.79
01. I. Larghetto affettuoso – Allegro passionato -
02. II. Adagio – Tempo di Marcia – Piu mosso – Presto giojoso

Franz Liszt – Legendes, S175
03. No.1 St Francois d’Assise: la predication aux oiseaux
04. No.2 St Francois de Paule marchant sur les flots

Ferrucio Busoni
05. Toccata, Kind.287

Modest Mussorgsky – Pictutes from an Exchibition
06. Promenade
07. Gnomus
08. Promenade
09. Il vecchio castello
10. Promenade
11. Les Tuileries
12. Bydlo
13. Promenade
14. Ballet des poussins dans leurs coques
15. Samuel Goldenberg und Schmuyle
16. Promenade
17. Limoges: le marche
18. Catacombae (Sepulchrum romanum)
19. Cum mortus in lingua morta
20. La Cabane sur des pattes de poule
21. La Grande Porte de Kiev

London Symphony Orchestra
Claudio Abbado

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Alfred Brendel

De origen austriaco-checo, el pianista Alfred Brendel vino al mundo el 5 de enero del año 1931 en la ciudad de Wiesenberg, en la ciudad de Moravia, territorio que actualmente corresponde a la Republica de Checoslovaquia.

Comienza a estudiar piano a la edad aproximada de 6 años, ya instalado con su familia en Yugoslavia. En 1948, a la edad de 17 años, realiza su debut en publico en una notable interpretación. A lo largo de su vida ejerció otras actividades relacionadas con el arte como ser la pintura, la escritura de poesías y la composición musical.

Muchas gracias a todos.

KARL.