Music for the Dresden Court (8 CD)

Music for the Dresden Court (8 CD box set, FLAC)

Composer: Antonio Vivaldi, Georg Philipp Telemann, Jonahh David Heinichen, Johann Friedrich Fasch, Johann Gottlieb Graun, Johann Georg Pisendel, Johann Joachim Quantz, Jan Dismas Zelenka, Johann Adolf Hasse, Attilio Ariosti, Alessandro Scarlatti, Johann Joseph Fux / Performer: Venceslava Hruba-Freiberger, Dagmar Schellenberger, Rene Jacobs, Axel Kohler, Peter Schreier, Ralph Eschrig, Reinhart Ginzel, Olaf Bar, Egbert Junghanns / Orchestra: Thuringischer Akademischer Singkreis, Virtuosi Saxoniae / Conductor: Ludwig Guttler /  Audio CD (March 4, 2008) / Number of Discs: 8 / Format: FLAC (tracks+m3u) /  Label: Berlin Classics / Size: 2.13 GB / Recovery: +3% / Scan: yes

Disc 1:

01. Concerto for Violin, 2 Oboes, 2 Recorders and Bassoon in G minor, RV 577: 1st movement

02. Concerto for Violin, 2 Oboes, 2 Recorders and Bassoon in G minor, RV 577: 2nd movement, Largo non molto

03. Concerto for Violin, 2 Oboes, 2 Recorders and Bassoon in G minor, RV 577: 3rd movement, Allegro

04. Concerto for Violin, Hunting Horn and Basso continuo in D major: 1st movement, Vivace

05. Concerto for Violin, Hunting Horn and Basso continuo in D major: 2nd movement, Adagio

06. Concerto for Violin, Hunting Horn and Basso continuo in D major: 3rd movement, Allegro

07. Concerto for 2 Oboe, 2 Flutes, Violin, 2 Horns and Basso continuo in F major: 1st movement, Allegro

08. Concerto for 2 Oboe, 2 Flutes, Violin, 2 Horns and Basso continuo in F major: 2nd movement, Andante

09. Concerto for 2 Oboe, 2 Flutes, Violin, 2 Horns and Basso continuo in F major: 3rd movement

10. Concerto for 2 Trumpets, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo: 1st movement, Allegro

11. Concerto for 2 Trumpets, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo: 2nd movement, Andante

12. Concerto for 2 Trumpets, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo: 3rd movement, Allegro

13. Concerto for 2 Violins, 2 Horns, Strings and Basso Continuo in G major: 1st movement

14. Concerto for 2 Violins, 2 Horns, Strings and Basso Continuo in G major: 2nd movement, Adagio

15. Concerto for 2 Violins, 2 Horns, Strings and Basso Continuo in G major: 3rd movement, Allegro molto con spirito



Disc 2:

01. Sinfonia in B major: Allegro di molto

02. Sinfonia in B major: Andantino

03. Sinfonia in B major: Tempo di menuet

04. Concerto for Violin, 2 Oboes, Strings and Basso Continuo in D major: Vivace

05. Concerto for Violin, 2 Oboes, Strings and Basso Continuo in D major: Andante

06. Concerto for Violin, 2 Oboes, Strings and Basso Continuo in D major: Allegro

07. Concerto for 2 Oboes, Bassoon, Strings and Basso Continuo in E flat major

08. Concerto for Violin in F major: Presto

09. Concerto for Violin in F major: Corsicana-Un poco grave

10. Concerto for Violin in F major: Allegrezza

11. Concerto for Violin in F major: Scherzo

12. Concerto for Violin in F major: Chasse

13. Concerto for Violin in F major: Polacca

14. Concerto for Violin in F major: Minuetto



Disc 3:

01. Concerto in C major, RV 558

02. Concerto in C major, RV 558

03. Concerto in C major, RV 558

04. Concerto for Oboe in F major, RV 455

05. Concerto for Oboe in F major, RV 455

06. Concerto for Oboe in F major, RV 455

07. Concerto for Viola d’Amore and Lute in D minor, RV 540

08. Concerto for Viola d’Amore and Lute in D minor, RV 540

09. Concerto for Viola d’Amore and Lute in D minor, RV 540

10. Concerto for 4 Violins in A major, RV 552 ‘Per eco in lontano’

11. Concerto for 4 Violins in A major, RV 552 ‘Per eco in lontano’

12. Concerto for 4 Violins in A major, RV 552 ‘Per eco in lontano’

13. Sinfonia for Strings in G major, RV 149

14. Sinfonia for Strings in G major, RV 149

15. Sinfonia for Strings in G major, RV 149

16. Concerto for Violin and Oboe in G minor, RV 576

17. Concerto for Violin and Oboe in G minor, RV 576

18. Concerto for Violin and Oboe in G minor, RV 576



Disc 4:

01. Concerto for Violin, 3 Hunting Horns, 2 Oboes, Strings and Basso Continuo in D major

02. Concerto for Violin, 3 Hunting Horns, 2 Oboes, Strings and Basso Continuo in D major

03. Concerto for Violin, 3 Hunting Horns, 2 Oboes, Strings and Basso Continuo in D major

04. Concerto for 2 Flute, Strings and Basso Continuo in G minor

05. Concerto for 2 Flute, Strings and Basso Continuo in G minor

06. Concerto for 2 Flute, Strings and Basso Continuo in G minor

07. Concerto for 2 Violins, 2 Oboes and Bassoon in D major, RV 564a

08. Concerto for 2 Violins, 2 Oboes and Bassoon in D major, RV 564a

09. Concerto for 2 Violins, 2 Oboes and Bassoon in D major, RV 564a

10. Capricci (5): no 4 in A major, ZWV 185

11. Capricci (5): no 4 in A major, ZWV 185

12. Capricci (5): no 4 in A major, ZWV 185

13. Capricci (5): no 4 in A major, ZWV 185

14. Capricci (5): no 4 in A major, ZWV 185

15. Capricci (5): no 4 in A major, ZWV 185

16. Capricci (5): no 4 in A major, ZWV 185



Disc 5:

01. Capricci (5): no 2 in G major, ZWV 183: Allegro

02. Capricci (5): no 2 in G major, ZWV 183: Canarie

03. Capricci (5): no 2 in G major, ZWV 183: Gavotte

04. Capricci (5): no 2 in G major, ZWV 183: Rondeau

05. Capricci (5): no 2 in G major, ZWV 183: Menuetto

06. Laudate pueri in D major, ZWV 81: Laudate pueri

07. Laudate pueri in D major, ZWV 81: Qui sicut Dominus

08. Laudate pueri in D major, ZWV 81: Amen

09. Capricci (5): no 5 in G major, ZWV 190: Allegro

10. Capricci (5): no 5 in G major, ZWV 190: Menuetto 1 & 2

11. Capricci (5): no 5 in G major, ZWV 190: Trio ‘Il contento’

12. Capricci (5): no 5 in G major, ZWV 190: Presto assai ‘Il furibondo’

13. Capricci (5): no 5 in G major, ZWV 190: Villanella 1 & 2

14. Confitebor tibi Domine in C minor, ZWV 71: Confitebor tibi Domine

15. Confitebor tibi Domine in C minor, ZWV 71: Memoriam fecit

16. Capricci (5): no 4 in A major, ZWV 185: Allegro assai

17. Capricci (5): no 4 in A major, ZWV 185: Adagio

18. Capricci (5): no 4 in A major, ZWV 185: Aria

19. Capricci (5): no 4 in A major, ZWV 185: En tempo de canarie

20. Capricci (5): no 4 in A major, ZWV 185: Menuet 1 & 2

21. Capricci (5): no 4 in A major, ZWV 185: Andante

22. Capricci (5): no 4 in A major, ZWV 185: Paysan 1 & 2



Disc 6:

01. Missa Dei Patris in C major, ZWV 19: Kyrie eleison 1

02. Missa Dei Patris in C major, ZWV 19: Christe eleison

03. Missa Dei Patris in C major, ZWV 19: Kyrie eleison 2

04. Missa Dei Patris in C major, ZWV 19: Gloria in excelsis Deo

05. Missa Dei Patris in C major, ZWV 19: Domine Deus

06. Missa Dei Patris in C major, ZWV 19: Domine Fili

07. Missa Dei Patris in C major, ZWV 19: Qui sedes ad dexteram

08. Missa Dei Patris in C major, ZWV 19: Quoniam tu solus Sanctus

09. Missa Dei Patris in C major, ZWV 19: Cum Sancto Spiritu

10. Missa Dei Patris in C major, ZWV 19: Credo in unum

11. Missa Dei Patris in C major, ZWV 19: Et incarnatus est

12. Missa Dei Patris in C major, ZWV 19: Cruxifixus

13. Missa Dei Patris in C major, ZWV 19: Et resurrexit

14. Missa Dei Patris in C major, ZWV 19: Et vitam venturi saeculi

15. Missa Dei Patris in C major, ZWV 19: Sanctus

16. Missa Dei Patris in C major, ZWV 19: Benedictus

17. Missa Dei Patris in C major, ZWV 19: Osanna

18. Missa Dei Patris in C major, ZWV 19: Agnus Dei

19. Missa Dei Patris in C major, ZWV 19: Agnus Dei

20. Missa Dei Patris in C major, ZWV 19: Dona nobis pacem



Disc 7:

01. Mass in G minor: Kyrie eleison 1

02. Mass in G minor: Christe eleison

03. Mass in G minor: Kyrie eleison 2

04. Mass in G minor: Gloria in excelsis Deo

05. Mass in G minor: Gratias agimus tibi

06. Mass in G minor: Domine Deus, Rex caelestis

07. Mass in G minor: Domine Fili unigenite

08. Mass in G minor: Domine Deus

09. Mass in G minor: Qui tollis peccata mundi

10. Mass in G minor: Quoniam tu solus sanctus

11. Mass in G minor: Cum Sancto Spiritu

12. Mass in G minor: Credo in unum Deum

13. Mass in G minor: Et incarnatus est

14. Mass in G minor: Crucifixus etiam pro nobis

15. Mass in G minor: Et resurrexit tertia die

16. Mass in G minor: Ad te levavi animam meam

17. Mass in G minor: Sanctus

18. Mass in G minor: Benedictus

19. Mass in G minor: Hosanna in excelsis

20. Mass in G minor: Agnus Dei



Disc 8:

01. Laudate pueri in D major, ZWV 81: Laudate pueri

02. Laudate pueri in D major, ZWV 81: Quis sicut Dominus

03. Laudate pueri in D major, ZWV 81: Amen

04. O quam suavis est: O quam suavis est

05. O quam suavis est: Panem quem coelum dat

06. Su le sponde del Tebro: Sinfonia

07. Su le sponde del Tebro: Su le sponde del Tebro

08. Su le sponde del Tebro: Sinfonia

09. Su le sponde del Tebro: Contentatevi

10. Su le sponde del Tebro: Mesto, stanco e spirtante

11. Su le sponde del Tebro: Infelici miei lumi

12. Su le sponde del Tebro: Dite almeno

13. Su le sponde del Tebro: Ritornell

14. Su le sponde del Tebro: All’ aura

15. Su le sponde del Tebro: Tralascia pur di piangere

16. Lamentatio: Incipit lamentation

17. Lamentatio: Beth

18. Lamentatio: Ghimel

19. Lamentatio: Daleth

20. Lamentatio: He

21. Plaudite: Plaudite, sonat tuba

22. Plaudite: Dum exultat de morte Salvator

23. Plaudite: Mortales, vicit Leo de ttribu Juda

24. Plaudite: O! peccator gaude

25. Plaudite: Alleluja!



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CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6 / CD 7 / CD 8

Goebel: Telemann – String Concertos

Goebel: Telemann - String Concertos (FLAC)

Goebel: Telemann - String Concertos (FLAC) / Conductor: Reinhard Goebel / Composer: Georg Philipp Telemann / Audio CD (July 18, 2000) / Number of Discs: 1 /  Format: FLAC (tracks+cue) / Label: Archiv Produktion / Size: 379 MB / Recovery: +3% / Scan: yes

CD:
01. Concerto polonois in G major for Strings and B.C. (43:G7) – 1. Dolce
02. Concerto polonois in G major for Strings and B.C. (43:G7) – 2. Allegro
03. Concerto polonois in G major for Strings and B.C. (43:G7) – 3. Largo
04. Concerto polonois in G major for Strings and B.C. (43:G7) – 4. Allegro
05. Concerto polonois in B flat major for Strings and B.C. (43:B3) – 1. Polonoise
06. Concerto polonois in B flat major for Strings and B.C. (43:B3) – 2. Allegro
07. Concerto polonois in B flat major for Strings and B.C. (43:B3) – 3. Largo
08. Concerto polonois in B flat major for Strings and B.C. (43:B3) – 4. Allegro
09. Divertimento in A major for Strings and B.C. (50:22) – 1. Presto
10. Divertimento in A major for Strings and B.C. (50:22) – 2. Scherzo I. Gaglierdamente
11. Divertimento in A major for Strings and B.C. (50:22) – 3. Scherzo II/III/II/IV/II
12. Divertimento in A major for Strings and B.C. (50:22) – 4. Scherzo V/VI/V
13. Divertimento in B flat major for Strings and B.C. (50:23) – 1. Allegro assai
14. Divertimento in B flat major for Strings and B.C. (50:23) – 2. Scherzo I/II/I
15. Divertimento in B flat major for Strings and B.C. (50:23) – 3. Scherzo III/IV/III
16. Divertimento in B flat major for Strings and B.C. (50:23) – 4. Scherzo V. Con giubilo
17. Divertimento in B flat major for Strings and B.C. (50:23) – 5. Scherzo VI. Arlechinoso
18. Viola Concerto in G (51:G9) – 1. Largo
19. Viola Concerto in G (51:G9) – 2. Allegro
20. Viola Concerto in G (51:G9) – 3. Andante
21. Viola Concerto in G (51:G9) – 4. Presto
22. Concerto in G “a sei” (52:G2) – 1. Grave
23. Concerto in G “a sei” (52:G2) – 2. Allegro
24. Concerto in G “a sei” (52:G2) – 3. Largo
25. Concerto in G “a sei” (52:G2) – 4. Presto
26. Concerto in G for 2 Viols, Strings and B.C. (52:G3) – 1. (Lent)
27. Concerto in G for 2 Viols, Strings and B.C. (52:G3) – 2. Gai
28. Concerto in G for 2 Viols, Strings and B.C. (52:G3) – 3. Largo
29. Concerto in G for 2 Viols, Strings and B.C. (52:G3) – 4. Vif

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Reinhard Goebel 

Philipp Telemann  y GOEBEL entre la complejidad polifónica de la orquesta sinfonías de Bach, la urbanidad de los concerti grossi de Haendel y Vivaldi y obras sin fin e innumerables y deliciosas de este tipo. Pero su enfoque siempre fue el más internacional . Dos de estos conciertos, por ejemplo, un ejemplo de la "polaca" estilo apropiado para los electores de Sajonia (los empleadores o patronos de Telemann, que también eran los reyes de Polonia), con sus ritmos folk y gimiendo partes de bajo. Telemann ofrece un poco de los franceses estilo galante aquí o teatralidad italiana allí - que ha marcado uno de los movimientos "Arlechinoso" - como el estado de ánimo  en él. Reinhard Goebel y Musica Antiqua Köln visten estos motleys con garbo típico, una vivacidad que sostiene una vez más la validez de los instrumentos de planteamiento del  período. Es fácil imaginar Telemann escuchar su música interpretada de esta manera y asintiendo con la cabeza en señal de aprobación.  Telemann, tal vez, nos puede mostrar el mejor momento del Barroco... 

Reinhard Goebel 

Muchas gracias a todos.

KARL.

J.S.Bach - Six Suites for Violoncello Solo BWV 1007-1012 ... Sebastian Klinger

J.S.Bach - Six Suites for Violoncello Solo BWV 1007-1012 / Sebastian Klinger, cello, 5-string cello piccolo / OEHMS
Composer:  Johann Sebastian Bach... Performer: Sebastian Klinger / Audio CD (15. August 2008) /  Label: Oehmsclass (Harmonia Mundi) / EAC APE + CUE, 2 CDs, cover, 1 file + 1 file, 295 + 285 MB, 2008.

CD 1:

1. Cello Suite No. 1 in G major, BWV 1007: I. Prelude

2. Cello Suite No. 1 in G major, BWV 1007: II. Allemande

3. Cello Suite No. 1 in G major, BWV 1007: III. Courante

4. Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande

5. Cello Suite No. 1 in G major, BWV 1007: V. Menuet I-II-I  

6. Cello Suite No. 1 in G major, BWV 1007: VI. Gigue

7. Cello Suite No. 2 in D minor, BWV 1008: I. Prelude

8. Cello Suite No. 2 in D minor, BWV 1008: II. Allemande

9. Cello Suite No. 2 in D minor, BWV 1008: III. Courante

10. Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande

11. Cello Suite No. 2 in D minor, BWV 1008: V. Menuet I-II-I

12. Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue

13. Cello Suite No. 6 in D major, BWV 1012: I. Prelude

14. Cello Suite No. 6 in D major, BWV 1012: II. Allemande

15. Cello Suite No. 6 in D major, BWV 1012: III. Courante

16. Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande  

17. Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I-II-I  

18. Cello Suite No. 6 in D major, BWV 1012: VI. Gigue

CD 2:

1 Cello Suite No. 3 in C major, BWV 1009: I. Prelude

2. Cello Suite No. 3 in C major, BWV 1009: II. Allemande

3. Cello Suite No. 3 in C major, BWV 1009: III. Courante

4. Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande  

5. Cello Suite No. 3 in C major, BWV 1009: V. Bourree I-II-I

6. Cello Suite No. 3 in C major, BWV 1009: VI. Gigue  

7. Cello Suite No. 4 in E flat major, BWV 1010: I. Prelude

8. Cello Suite No. 4 in E flat major, BWV 1010: II. Allemande

9. Cello Suite No. 4 in E flat major, BWV 1010: III. Courante

10. Cello Suite No. 4 in E flat major, BWV 1010: IV. Sarabande

11. Cello Suite No. 4 in E flat major, BWV 1010: V. Bourree I-II-I

12. Cello Suite No. 4 in E flat major, BWV 1010: VI. Gigue

13. Cello Suite No. 5 in C minor, BWV 1011: I. Prelude  

14. Cello Suite No. 5 in C minor, BWV 1011: II. Allemande

15. Cello Suite No. 5 in C minor, BWV 1011: III. Courante

16. Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande

17. Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I-II-I

18. Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue

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CD 1 / CD 2

Sebastian Klinger

Tenía las suites para violonchelo de Bach ya. Pieter Wispelwey. Desde mi punto de vista, mejor grabación del mundo: la inspiración, versátil, el Summum. 

He oído muchas veces otros interpretes, que todos me han alentado en mi opinión. Hasta que oí Sebastian Klinger. 

En primer lugar, la maravilla. Esto le dice exactamente igual que el cello de Pieter Wispelwey! Sólo: cuenta una historia diferente. Emocionante, expresivo como Wispelwey - pero diferente. y... Original! 

 

Entonces despues de comprarlo.... oí una y otra vez.... uffff MARAVILLOSO!!

Conclusión: Este CD es una referencia. Una obra maestra. Al igual que Sebastian Klinger hace de su violonchelo  un canto , puede ser reflexivO, alegre, enérgico, melancólico, orgulloso, modesto,  hay una sola conclusión: 

Wispelwey es el más grande. Klinger también!!!

Muchas gracias a todos..

KARL.

Janine Jansen: Vivaldi - 4 seasons

Janine Jansen: Vivaldi - 4 seasons (APE)

 Composer: Antonio Vivaldi /  Performer: Candida Thompson, Henk Rubingh, Elizabeth Kenny, Julian Rachlin, Maarten Jansen, Jan Jansen, Stacey Watton, Janine Jansen / Audio CD (October 11, 2005) / Number of Discs: 1 /  Format: APE (image+cue) /  Label: Decca / Size: 174 MB/ Recovery: +3%

CD:

 Violin Concerto, for violin, strings & continuo in E major (“La Primavera,” The Four Seasons; “Il cimento” No. 1), Op.8/1, RV 269
 Violin Concerto, for violin, strings & continuo in G minor (“L’estate,” The Four Seasons; “Il cimento” No. 2), Op. 8/2, RV 315
 Violin Concerto, for violin, strings & continuo in F major (“L’autunno,” The Four Seasons; “Il cimento” No. 3), Op.8/3, RV 293
 Violin Concerto, for violin, strings & continuo in F minor (“L’inverno,” The Four Seasons; “Il cimento” No. 4), Op. 8/4, RV 297

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JANINE JANSEN

Janine Jansen Sigue su primera Decca álbum de favoritos de Violín con la Cuenta de alta energía de los conciertos de Vivaldi Cuatro violín, conocido y amado como "las cuatro estaciones '. La violinista holandés lidera su grupo especialmente seleccionado de solistas en una nueva mirada a los más queridas de todas las obras clásicas. Lo que da este Grabación : Su tremenda frescura y la chispa es Janine..  una sola interprete por parte. Se ha ido el pesado sonido de orquesta que es tan familiar, se trata de un Four Seasons, que brilla con Nueva Vida y Energía, como una restauración de Pintura Antigua que se revela en sus colores verdaderos.

Muchas gracias a todos.

KARL.

Meyer: Bach – Unaccompanied Cello Suites

Meyer: Bach - Unaccompanied Cello Suites (APE)

 APE (image+cue)
 Edgar Meyer  

CD:

 Suite for solo cello No. 2 in D minor, BWV 1008

Composed by Johann Sebastian Bach

with Edgar Meyer

 Suite for solo cello No. 1 in G major, BWV 1007

Composed by Johann Sebastian Bach

with Edgar Meyer

 Suite for solo cello No. 5 in C minor, BWV 1011

Composed by Johann Sebastian Bach

with Edgar Meyer

01. Suite for Solo Cello No. 2 in D minor, BWV 1008: I. Prélude

02. Suite for Solo Cello No. 2 in D minor, BWV 1008: II. Allemande

03. Suite for Solo Cello No. 2 in D minor, BWV 1008: III. Courante

04. Suite for Solo Cello No. 2 in D minor, BWV 1008: IV. Sarabande

05. Suite for Solo Cello No. 2 in D minor, BWV 1008: V. Menuett I & II

06. Suite for Solo Cello No. 2 in D minor, BWV 1008: VI. Gigue

07. Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prélude

08. Suite for Solo Cello No. 1 in G Major, BWV 1007: II. Allemande

09. Suite for Solo Cello No. 1 in G Major, BWV 1007: III. Courante

10. Suite for Solo Cello No. 1 in G Major, BWV 1007: IV. Sarabande

11. Suite for Solo Cello No. 1 in G Major, BWV 1007: V. Menuett I & II

12. Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue

13. Suite for Solo Cello No. 5 in C minor, BWV 1011: I. Prélude

14. Suite for Solo Cello No. 5 in C minor, BWV 1011: II. Allemande

15. Suite for Solo Cello No. 5 in C minor, BWV 1011: III. Courante

16. Suite for Solo Cello No. 5 in C minor, BWV 1011: Suite for Solo Cello No. 5 in C minor, BWV 1011/IV. Sarabande

17. Suite for Solo Cello No. 5 in C minor, BWV 1011: V. Gavotte I & II

18. Suite for Solo Cello No. 5 in C minor, BWV 1011: VI. Gigue

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Edgar Meyer

Edgar Meyer

Muchas gracias a todos.

KARL.

Great Violonists, Menuhin: Bach – Violin Concertos

Great Violonists, Menuhin: Bach - Violin Concertos (APE) 

/ Audio CD (2001) / Number of Discs: 1 / Format: APE (image+cue) / Label: Naxos / Size: 124 MB /  Recovery: +3% / Scan: yes

CD:

01. Violin Concerto No.1 in A minor: I. Allegro (non tanto)
02. II. Andante
03. III. Allegro assai
04. Violin Concerto No.2 in F major: I. Allegro
05. II. Adagio
06. III. Allegro assai
07. Concerto for Two Violins: I. Vivace
08. II. Largo ma non tanto
09. III. Allegro
10. Sonata No. 2 in A minor: Andante

Paris Symphony Orchestra
Conductor – Pierre Monteux
Recorded: 1932-1936

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Pierre Monteux

George Enescu

Yehudi  Menuhin

Muchas gracias a todos.

KARL.

Alfred Deller: Music of Handel, Bach and the English Renaissance. Vol.4 (6 CD box set, FLAC)

Alfred Deller: Music of Handel, Bach and the English Renaissance. Vol.4 (6 CD box set, FLAC)

Performer: Maurice Bevan, John Frost / Composer: George Frederick Handel, Johann Sebastian Bach, John Dowland,  John Bartlet / Audio CD (March 10, 2009) /  Number of Discs: 6 CD box set / Format: FLAC, CUE /Label: Musical Concepts  / Size: 1.87 GB / Recovery: +3% / Scan: yes

CDs:

Disc 1:
01. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — ‘Tis Heaven’s all-ruling pow’r
02. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — O spare your daughter
03. George Frideric Handel: Jephta-Oratorio (1752), HWV 70 — Laud her all ye virgin train
04. George Frideric Handel: Serse-Opera (1738-London) — Ombra mai fu
05. George Frideric Handel: Orlando-Opera (1733-London) — Ah! Stigie larve
06. George Frideric Handel: L’Allegro, il Pensoroso ed il Moderato-Oratorio (1740), HWV 55 — Let me wander
07. George Frideric Handel: Orlando-Opera (1733-London) — Cielo se tu il consenti
08. George Frideric Handel: Rinaldo-Opera (1711-London) — Lascia ch’io pianga
09. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Kind Heav’n, if Virtue be thy care
10. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Wide spread his name
11. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — Sweet Rose, and Lilly, flow’ry Form
12. George Frideric Handel: Theodora-Oratorio (1750), HWV 68 — To thee thou glorious son of worth
13. George Frideric Handel: Coronation Anthems — Zadok the priest
14. George Frideric Handel: Coronation Anthems — The King shall rejoice
15. George Frideric Handel: Coronation Anthems — Let thy hand be strenghtened

Disc 2:
01. George Frideric Handel: Ode for the Birthday of Queen Anne — Largo: Eternal source of light divine
02. George Frideric Handel: Ode for the Birthday of Queen Anne — Andante: Let all the winged …
03. George Frideric Handel: Ode for the Birthday of Queen Anne — Andante: Let flocks …
04. George Frideric Handel: Ode for the Birthday of Queen Anne — Let rolling streams …
05. George Frideric Handel: Ode for the Birthday of Queen Anne — Kind health descends
06. George Frideric Handel: Ode for the Birthday of Queen Anne — Let envy then conceal her head
07. George Frideric Handel: Ode for the Birthday of Queen Anne — United nations shall combine
08. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Vergnügte Ruh’
09. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Recitative: Die Welt, das Sündenhaus
10. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Wie jammern
11. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Recitative: Wer solte sich
12. Johann Sebastian Bach: Cantata 170 “Vergnügte Ruh’ beliebte Seelenlust” — Aria: Wie leid ist mir das Leben
13. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Aria: Widerstehe
14. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Recitative: Die Art
15. Johann Sebastian Bach: Cantata 54 “Widerstehe doch der Sünde” — Aria: Wer Sunde tut
16. Johann Sebastian Bach: Mass in b minor, BWV233 — Agnus Dei

Disc 3:
01. George Frideric Handel: Alexander’s Feast – Part I — Overture (Maestoso-Allegro ma non troppo-Andante)
02. George Frideric Handel: Alexander’s Feast – Part I — Recitative: ‘Twas at the royal feast
03. George Frideric Handel: Alexander’s Feast – Part I — Air and Chorus: Happy, happy, happy
04. George Frideric Handel: Alexander’s Feast – Part I — Recitative: Timotheus, plac’d on high
05. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: The song began
06. George Frideric Handel: Alexander’s Feast – Part I — Chorus: The list’ning crowd
07. George Frideric Handel: Alexander’s Feast – Part I — Air: With ravish’d ears
08. George Frideric Handel: Alexander’s Feast – Part I — Recitative: The praise of Bacchus
09. George Frideric Handel: Alexander’s Feast – Part I — Air and Chorus: Bacchus, ever fair
10. George Frideric Handel: Alexander’s Feast – Part I — Recitative: Sooth’d with the sound
11. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: He chose a mournful Muse
12. George Frideric Handel: Alexander’s Feast – Part I — Air: He sung Darius
13. George Frideric Handel: Alexander’s Feast – Part I — Accompanied recitative: With downcast looks
14. George Frideric Handel: Alexander’s Feast – Part I — Chorus: Behold Darius
15. George Frideric Handel: Alexander’s Feast – Part I — Recitative: The mighty master smil’d
16. George Frideric Handel: Alexander’s Feast – Part I — Air: Softly sweet in Lydian measures
17. George Frideric Handel: Alexander’s Feast – Part I — Air: War, he sung, is toil and trouble
18. George Frideric Handel: Alexander’s Feast – Part I — Chorus: The many rend the skies
19. George Frideric Handel: Alexander’s Feast – Part I — Air: The Prince, unable to conceal
20. George Frideric Handel: Alexander’s Feast – Part I — Chorus da capo: The many rend the skies
21. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Now strike the golden Lyre again
22. George Frideric Handel: Alexander’s Feast – Part II — Chorus: Break his bands of sleep asunder
23. George Frideric Handel: Alexander’s Feast – Part II — Air: Revenge, revenge
24. George Frideric Handel: Alexander’s Feast – Part II — Largo: Behold the ghastly band

Disc 4:
01. George Frideric Handel: Alexander’s Feast – Part II — Air da capo: Revenge, revenge
02. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Give the vengeance due
03. George Frideric Handel: Alexander’s Feast – Part II — Air: The princes applaud
04. George Frideric Handel: Alexander’s Feast – Part II — Air and chorus: Thais led the way
05. George Frideric Handel: Alexander’s Feast – Part II — Accompanied recitative: Thus, long ago
06. George Frideric Handel: Alexander’s Feast – Part II — Chorus: At last divine Cecilia came
07. George Frideric Handel: Alexander’s Feast – Part II — Recitative: Let old Timotheus yield the prize
08. George Frideric Handel: Alexander’s Feast – Part II — Chorus and soloists: Let old Timotheus yield the prize
09. John Dowland: Book of Airs, 1597 — Air: Can she excuse my wrongs?
10. Thomas Morley: A Plaine and Easie Introduction to Practicall Musicke — Air for three viols (instr.)
11. John Bartlett (m) / George Gascoigne (t): A Book of Ayres … 1606 — Air: Of all the birds that I do know
12. Robert Johnson: Fitwilliam Virginal Book — Alman for harpsichord (set by Gilles Farnaby) (instr.)
13. John Dowland: Book of Airs, 1597 — Air: If my complaints could passions move
14. John Jenkins: Pavan for four viols (instr.)
15. Thomas Campian: Rosseter’s Book of Ayres, 1601 — Air: I care not for these ladies
16. John Dowland: Air for lute solo: My Lady Hunsdon’s Puffe (instr.)
17. Robert Parsons: Air: Pandolpho (orn. for lute)
18. John Jenkins: Fantasia in C for four viols (instr.)
19. John Dowland: A Pilgrim’s Solace — Air: From silent night
20. Giles Farnaby: Fitwilliam Virginal Book — Variations for harpsichord on “Up Tails All” (instr.)

Disc 5:
01. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Incipit Lamentatio Jeremiae Prophetae
02. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Aleph; Quomodo sedet
03. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Beth
04. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part I — Plorans ploravit
05. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — De Lamentatione Jeremiae Prophetae
06. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Ghimel
07. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Migravit Judas
08. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Daleth
09. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Omnes persecutores
10. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Heth
11. Thomas Tallis: The Lamentations of Jeremiah the Prophet, Part II — Facti sunt
12. Thomas Tallis: Jesu salvator saeculi
13. Thomas Tallis: Deus tuorum militum
14. Thomas Tallis: O nata lux de lumine
15. Thomas Tallis: Jam Christus astra ascenderat
16. Thomas Tallis: Salvator mundi Domine
17. Anon., arr. Edmund Fellowes, British Museum, Add. Mss. 17, 786-91: My Sweet Little Darling
18. Anon., arr. Peter Warlock, Christ Church, Oxford, Mss. 984-8: Guichardo
19. William Corkine, arr. Thurston Dart: What Bootheth Love?
20. Anon., arr. Peter Warlock: Ah, Silly Poor Joas
21. Thomas Whythorne, arr. Peter Warlock: Buy New Broom
22. William Byrd, arr. Fellowes: Elegy on the death of Thomas Tallis, 1585 — Ye Sacred Muses
23. William Byrd, arr. Edmund Fellowes, : Psalms, Sonnets, and Songs of Sadness and Piety, made into Music of Five Parts, 1588 — Lullaby, My Sweet Little Baby
24. Richard Nicholson, arr. Peter Warlock: In a Merry May Morn
25. Robert Parsons, arr. Peter Warlock: Pandolpho
26. William Byrd, arr. Peter le Huray & Thurston Dart: Come, pretty Babe
27. Anon., arr. Peter Warlock: O Death, Rock Me Asleep

Disc 6:
01. John Blow: The Self-Banished
02. John Weldon: The Nightingale
03. Georg Friedrich Händel: from Rodelinda, 1725 — Dove sei
04. Johann Sebastian Bach: from the Notebook for Anna Magdalena Bach, 1725 — Bist du bei mir
05. Matthew Locke: Melothsia, 1673 — Voluntary in G for organ
06. Henry Purcell: Elegy on the death of Queen Mary, 1695 — The Queen’s Epicedium
07. Matthew Locke: Melothsia, 1673 — Voluntary in F for organ
08. Pelham Humfrey (or Hemphryes): Harmonia Sacra, Book I, 1688 — A Hymn to God the Father
09. Thomas Morley: The First Book of Canzonets to Two Voices, 1595 — Sweet Nymph, Come to Thy Lover
10. Henry Purcell: Love’s Goddess Birthday Song for Queen Mary, 1692 — Sweetness of Nature
11. Robert Jones: A Musicall Dreame or 4th Book of Airs — Sweet Kate
12. Thomas Morley: Canzonets for Two Voices — Miraculous love’s wounding
13. Thomas Morley: Canzonets for Two Voices — I go before, my darling
14. John Blow: Amphion Anglicus (London, 1600) — If my Celia could persuade
15. John Blow: Amphion Anglicus (London, 1600) — Ah Heav’n! What is it I hear?
16. Richard Deering: Cantica Sacra (London, 1662) — O bone Jesu
17. Richard Deering: Cantica Sacra (London, 1662) — Gaudent in coelis
18. Anon., Fayrfax Ms (er. John Stevens): Ah, My Dear Son

DOWNLOAD:

CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6

Thomas Morley  

(?, c. 1557-?, c. 1603) Compositor inglés. Se formó con W. Byrd y fue organista de la catedral de San Pablo de Londres y caballero de la capilla Real. Fue también un notable teórico (Sencilla y fácil introducción a la música práctica, 1597) y un influyente editor. Es autor de canciones, de madrigales y de aires para laúd.

Thomas Tallis

(Leicestershire?, actual Reino Unido, h. 1505-Greenwich, id., 1585) Compositor y organista inglés. Poco es lo que se conoce de su vida: la primera referencia que se conserva de él lo sitúa en 1532 como organista de la abadía benedictina de Dover. Desde 1543 fue organista de la capilla real, cargo que conservó bajo los reinados Enrique VIII, Eduardo VI, María Tudor e Isabel I. Asociado al también compositor William Byrd, en 1575 logró un privilegio de la Corona según el cual se le concedió el monopolio de la impresión musical en Inglaterra. Su producción incluye sobre todo música vocal destinada a los oficios divinos, tanto protestantes como católicos. En inglés y latín, respectivamente, veinte anthems y nueve salmos conforman el núcleo del primero, mientras que el segundo, caracterizado por el uso de un elaborado y complejo contrapunto, halla en sus tres misas y cincuenta y dos motetes –uno de ellos, Spem in alium non habui (No he tenido esperanza en lo ajeno), a cuarenta voces– su más lograda expresión. Tallis compuso también cierto número de obras para teclado.

Muchas gracias a todos.

KARL.

Verdi – The Great Operas (25 CD )

Verdi - The Great Operas (25 CD box set, FLAC)
Composer: Giuseppe Verdi / Number of Discs: 25 CD box set / Format: FLAC (tracks+cue) / Label: Brilliant Classics / Size: 6.66 GB / Recovery: +3% / Scan: yes /

CDs:

CD 01-02 La Traviata
Violetta Valery – Montserrat Caballé
Flora Bervoix – Dorothy Krebill
Annina – Nancy Stokes
Alfredo Germont – Carlo Bergonzi
Giorgio Germont – Sherrill Milnes
Gastone – Fernando Jacopucci
Barón Douphol – Gene Boucher
Marqués D’Obigny – Thomas Jamerson
Doctor Grenvil – Harold Enns
Giuseppe – Camilo Sforza
Criado de Flora – Flavio Tasin
Comisionado – Franco Ruta

Orchestra: RCA Italiana
Chor: RCA Italiana

CD 03-04 Il Trovatore
Conde de Luna – Sherrill Milnes
Leonora – Leontyne Price
Azucena – Fiorenza Cossotto
Manrico – Plácido Domingo
Ferrando – Bonaldo Giaiotti
Inés – Elizabeth Bainbridge
Ruiz – Ryland Davies
Viejo gitano – Stanley Riley
Mensajero – Neilson Taylor

Orchestra: New Philarmonia
Chor: Ambrosian Opera Chorus

CD 05-06 Rigoletto
Duque de Mantua – Jaume Aragall
Rigoletto – Bernd Weikl
Gilda – Lucia Popp
Sparafucile – Jan-Hendrik Rootering
Maddalena – Klára Takács
Giovanna – Helena Jungwirth
Conde de Monterone – Alexander Malta
Caballero Marullo – Robert Riener
Borsa Matteo – Alexandru Ionita
Conde de Ceprano – Gerhard Auer
Condesa de Ceprano – Renate Freyer
Ujier de la corte – Theodor Nicolai
Paje de la duquesa – Karin Hautermann

Orchestra: Bayerische Rundfunk
Chor: Bayerische Staatsoper de Munich

CD 07-08 Aida
Rey de Egipto – Hans Sotin
Amneris – Grace Bumbry
Aida – Leontyne Price
Radamés – Plácido Domingo
Ramfis – Ruggero Raimondi
Amonasro – Sherrill Milnes
Gran Sacerdotisa – Joyce Mathis
Mensajero – Bruce Brewer

Orchestra: London Symphony
Chor: John Alldis Choir

CD 09-10 Simon Boccanegra
Simon Bocanegra – Piero Cappuccilli
Jacopo Fiesco-Andrea – Ruggero Raimondi
Paolo Albani – Gian Piero Mastromei
Pietro – Maurizio Mazzieri
Amelia-Maria – Katia Ricciarelli
Gabriele Adorno – Plácido Domingo
Criada – Ornella Jachetti
Capitán – Piero de Palma

Orchestra: RCA Italiana
Chor: RCA Italiana

CD 11-12 Un ballo in maschera
Riccardo – Carlo Bergonzi
Renato – Robert Merrill
Amelia – Leontyne Price
Ulrica – Shirley Verrett
Oscar – Reri Grist
Silvano – Mario Basiola II
Samuel – Ezio Flagello
Tom – Ferruccio Mazzoli
Juez – Piero de Palma
Siervo de Amelia – Fernando Jacopucci

Orchestra: RCA Italiana
Chor: RCA Italiana

CD 13-14 Otello
Otello – Jon Vickers
Yago – Tito Gobbi
Cassio – Florindo Andreolli
Roderigo – Mario Carlin
Lodovico – Ferruccio Mazzoli
Montano – Franco Calabrese
Heraldo – Robert Kerns
Desdémona – Leonie Rysanek
Emilia – Miriam Pirazzini

Orchestra: Ópera de Roma
Chor: Ópera de Roma

CD 15-16 Macbeth
Macbeth – Leonard Warren
Lady Macbeth – Leonie Rysanek
Banco – Jerome Hines
Dama de Lady Macbeth – Carlotta Ordassy
Macduff – Carlo Bergonzi
Malcolm – William Olvis

Orchestra: Metropolitan Opera
Chor: Metropolitan Opera

CD 17-18 Ernani
Ernani – Carlo Bergonzi
Don Carlo – Mario Sereni
Don Ruy Gomez de Silva – Ezio Flagello
Elvira – Leontyne Price
Giovanna – Julia Hamari
Don Riccardo – Fernando Jacopucci
Jago – Hartje Mueller

Orchestra: RCA Italiana
Chor: RCA Italiana

CD 19-20 Luisa Miller
Conde Walter – Giorgio Tozzi
Rodolfo – Carlo Bergonzi
Federica – Shirley Verrett
Wurm – Ezio Flagello
Miller – Cornell MacNeil
Luisa – Anna Moffo
Laura – Gabriella Carturan
Campesino – Piero de Palma

Orchestra: RCA Italiana
Chor: RCA Italiana

CD 21-22 Falstaff
John Falstaff – Rolando Panerai
Ford – Alan Titus
Fenton – Frank Lopardo
Dr. Caius – Piero de Palma
Bardolfo – Ulrich Ress
Pistola – Francesco Ellero d’Artegna
Mrs. Alice Ford – Sharon Sweet
Nannetta – Julie Kaufmann
Mrs. Quickly – Marilyn Horne
Mrs. Meg Page – Susan Quittmeyer

Orchestra: Sinfónica de la Radio de Baviera
Chor: Sinfónica de la Radio de Baviera

CD 23-25 La forza del destino
Marqués de Calatrava – Giovanni Foiani
Donna Leonora – Leontyne Price
Don Carlos de Vargas – Robert Merrill
Don Álvaro – Richard Tucker
Preziosilla – Shirley Verrett
Padre Guardiano – Giorgio Tozzi
Fra Melitone – Ezio Flagello
Curra – Corinna Vozza
Alcalde – Ron Bottcher
Mastro Trabucco – Piero de Palma
Cirujano militar – Mario Rinaudo

Orchestra: RCA Italiana


DOWNLOAD:

CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6 / CD 7 / CD 8 / CD 9 / CD 10 / CD 11 / CD 12 / CD 13 / CD 14 / CD 15 / CD 16 / CD 17 / CD 18 / CD 19 / CD 20 / CD 21 / CD 22 /  CD 23 / CD 24 / CD 25

Nació en Busseto, Parma, Italia. Compositor de Grandes óperas. Al Momento de la Muerte prematura de Su Esposa y dos Hijos, Quiso dejar la Música Pero FUE persuadido párrafo Continuar, en Momento Que compuso Nabucco. Posteriormente Brillo con: Macbeth, Rigoletto, Aida, Trovatore, Othello Y Sus Famoso Requiem.
En sus treinta, Verdi compuso Rigoletto (1853), y La Traviata (1853). A pesar de que el público las amó, los críticos estaban frecuentemente escandalizados por el tema de la ópera pues ellos parecían condenar la violación, el suicidio y el amor libre. Pero Giuseppe era ferozmente independiente y vivió abiertamente con su segunda esposa por diez años antes de casarse con ella. Luego del éxito que le provocaron dichas obras y las cuales le hicieron rico, Verdi compró un estado en Busseto; y en 1861 fue elegido en el primer parlamento que se convocó luego de que Italia llegara a ser una nación. En sus últimos años escribió Aida (1871), Otello (1887), y a la edad de setenta y nueve años su ópera final, Falstaff (1893). Verdi no componía para la elite musical, sino que lo hacía para la masa pública cuyo principal entretenimiento era la ópera. Buscó temas que fueran originales, interesantes y pasionales; sobre todo pasionales. Casi todos sus maduros trabajos son serios y acaban infelizmente; ellos se mueven rápidamente e involucran a sentimientos extremos de odio, amor, celos y miedo; y su música poderosa subraya las dramáticas situaciones.
**** Extr: de Piano Mundo Opera.

Walcha: Bach – Organ Works, The 1947 – 1952 Recordings (10 CD )

Walcha: Bach - Organ Works, The 1947 - 1952 Recordings (10 CD box set, APE)

 Performer: Helmut Walcha  / Composer: Johann Sebastian Bach, Johann Ludwig Krebs / Audio CD (February 10, 2004) / Number of Discs: 10 CD box set /  Format: APE (image+cue) / Label: Deutsche Grammophon / Size: 1.79 GB /  Scan: yes

CD:
# Organ by Arp Schnitger in Cappel (Demonstration of the registration and improvisation by Helmut Walcha)
Composed by Helmut Walcha
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 531 (BC J9)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in D major (“Little”), BWV 532 (BC J13, 54, 70)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E minor (“Cathedral”), BWV 533 (BC J18)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in F minor, BWV 534 (BC J20)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G minor, BWV 535 (BC J23)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A major, BWV 536 (BC J24)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in D minor (“Dorian”), BWV 538 (BC J38)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in C minor, BWV 537 (BC J40)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in D minor (“Fiddle;” doubtful), BWV 539 (BC J15, 71)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in F major, BWV 540 (BC J39, 55, 73)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G major, BWV 541 (BC J22)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in G minor (“Great”), BWV 542 (BC J42, 57, 67)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A minor “The Great,” BWV 543 (BC J42)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in B minor, BWV 544 (BC J27)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 545 (BC J51)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C minor, BWV 546 (BC J12, 53, 69)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in C major, BWV 547 (BC J11)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E minor (“Wedge”), BWV 548 (BC J19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in G major, BWV 550 (BC J21)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in A minor, BWV 551 (BC J25)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata, Adagio and Fugue, for organ in C major, BWV 564 (BC J36)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E major, BWV 566 (BC J17)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Pièce d’orgue (Fantasia), for organ in G major, BWV 572 (BC J83)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fugue for organ in G minor (“Little”), BWV 578 (BC J66)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Canzona, for organ in D minor, BWV 588 (BC J80)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Alla breve, for organ in D major, BWV 589 (BC J64)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Pastorale for organ in F major, BWV 590 (BC J81)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E flat major (“St. Anne;” Clavier-Übung III/26), BWV 552 (BC J16) Prelude
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott Vater in Ewigkeit (I), chorale prelude for organ (Clavier-Übung III/1), BWV 669 (BC K1)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, aller Welt Trost (I), chorale prelude for organ (Clavier-Übung No. 2), BWV 670 (BC K2)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott heiliger Geist (I), chorale prelude for organ (Clavier-Übung III/3), BWV 671 (BC K3)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (VI), chorale prelude for organ (Clavier-Übung III/8), BWV 676 (BC K8)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Dies sind die heilgen zehn Gebot (II), chorale prelude for organ (Clavier-Übung III No. 11), BWV 678 (BC K10)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir glauben all an einen Gott (I), chorale prelude for organ, BWV 680 (BC K12)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (II), chorale prelude for organ (Clavier-Übung No. 14), BWV 682 (BC K14)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ, unser Herr, zum Jordan kam (I), chorale prelude for organ (Clavier-Übung III/16), BWV 684 (BC K16)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Aus tiefer Not schrei ich zu dir (I), chorale prelude for organ á 6 (Clavier-Übung III/18), BWV 686 (BC K18)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (VI), chorale prelude for organ (Clavier-Übung III/20), BWV 688 (BC K20)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 1 in E minor (Clavier-Übung III No. 23), BWV 802 (BC J74)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 2 in F major (Clavier-Übung III No. 24), BWV 803 (BC J75)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 3 in G major (Clavier-Übung III No. 25), BWV 804 (BC J76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Duetto, for keyboard No. 4 in A minor (Clavier-Übung III No. 26), BWV 805 (BC J77)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott Vater in Ewigkeit (II), chorale prelude for organ (Clavier-Übung III/4), BWV 672 (BC K4)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, aller Welt Trost (II), chorale prelude for organ (Clavier-Übung No. 5), BWV 673 (BC K5)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kyrie, Gott heiliger Geist (II), chorale prelude for organ (Clavier-Übung III/6), BWV 674 (BC K6)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (V), chorale prelude for organ (Clavier-Übung III/7), BWV 675 (BC K7)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Allein Gott in der Höh sei Ehr, for organ (Clavier-Ubung III/9), BWV 677 (BC K9)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Dies sind die heilgen zehn Gebot, for organ (Clavier-Übung III/11), BWV 679 (BC K11)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fughetta super Wir glauben all an einen Gott, for organ (Clavier-Übung III/13), BWV 681 (BC K13)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (III), chorale prelude for organ (Clavier-Übung No. 145), BWV 683 (BC K15)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ, unser Herr, zum Jordan kam (II), chorale prelude for organ (Clavier-Übung III/17), BWV 685 (BC K17)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Aus tiefer Not schrei ich zu dir (II), chorale prelude for organ á 4 (Clavier-Übung III/19), BWV 687 (BC K19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fuga super Jesus Christus unser Heiland, fugue for organ (Clavier-Übung III/21), BWV 689 (BC K21)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Prelude and Fugue, for organ in E flat major (“St. Anne;” Clavier-Übung III/26), BWV 552 (BC J16) Fugue
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fantasia super Komm, Heiliger Geist, chorale prelude for organ (Achtzehn Choräle No. “0″), BWV 651 (BC K74)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, heiliger Geist (I), chorale prelude for organ (Achtzehn Choräle No. 1), BWV 652 (BC K75)
Composed by Johann Sebastian Bach
with Helmut Walcha

# An Wasserflüssen Babylon (I), chorale prelude for organ, BWV 653a (BC K76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Schmücke dich, o liebe Seele (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 654 (BC K77)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 655 (BC K78)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Lamm Gottes unschuldig (II), chorale prelude for organ (Achtzehn Choräle No. 5), BWV 656 (BC K79)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun danket alle Gott, chorale prelude for organ (Achtzehn Choräle No. 6), BWV 657 (BC K80)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Von Gott will ich nicht lassen, chorale prelude for organ (Vehrzehn Choräle No. 7), BWV 658 (BC K81)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 8), BWV 659 (BC K82)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Nun komm der Heiden Heiland (I), chorale prelude for organ (Achtzehn Choräle No. 9), BWV 660 (BC K83)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 10), BWV 661 (BC K84)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (I), chorale prelude for organ (Achtzehn Choräle No. 11), BWV 662 (BC K85)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Allein Gott in der Höh sei Ehr (III), chorale prelude for organ (Achtzehn Choräle No. 12), BWV 663 (BC K86)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Trio super Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664 (BC K87)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 14), BWV 665 (BC K88)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 15), BWV 666 (BC K89)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, Gott Schöpfer, heiliger Geist (III), chorale prelude for organ (Achtzehn Choräle No. 17), BWV 667 (BC K90)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vor deinen Thron tret ich hiermit (II), chorale prelude for organ, BWV 668a
Composed by Johann Sebastian Bach
with Helmut Walcha

# Nun komm der Heiden Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 1), BWV 599 (BC K28)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Gott, durch deine Güte, chorale prelude for organ (Orgel-Büchlein No. 2), BWV 600 (BC K29)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Christ, der einig Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 3), BWV 601 (BC K30)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Lob sei dem allmächtigen Gott (I), chorale prelude for organ (Orgel-Büchlein No. 4), BWV 602 (BC K31)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Puer natus in Bethlehem, chorale prelude for organ (Orgel-Büchlein No. 5), BWV 603 (BC K32)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Gelobet seist du, Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 6), BWV 604 (BC K33)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Der Tag, der ist so freudenreich (I), chorale prelude for organ (Orgel-Büchlein No. 7), BWV 605 (BC K34)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel hoch, da komm ich her (I), chorale prelude for organ (Orgel-Büchlein No. 8), BWV 606 (BC K35)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel kam der Engel schar, chorale prelude for organ (Orgel-Büchlein No. 9), BWV 607 (BC K36)
Composed by Johann Sebastian Bach
with Helmut Walcha

# In dulci jubilo (I), chorale prelude for organ (Orgel-Büchlein No. 10), BWV 608 (BC K37)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Lobt Gott, ihr Christen, allzugleich (I), chorale prelude for organ (Orgel-Büchlein No. 11), BWV 609 (BC K38)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesu, meine Freude (I), chorale prelude for organ (Orgel-Büchlein No. 12), BWV 610 (BC K39)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christum wir sollen loben schon, chorale prelude for organ (Orgel-Büchlein No. 13), BWV 611 (BC K40)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir Christenleut’ (I), chorale prelude for organ (Orgel-Büchlein No. 14), BWV 612 (BC K41)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Helft mir Gottes Güte preisen (I), chorale prelude for organ (Orgel-Büchlein No. 15), BWV 613 (BC K42)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Das alte Jahr vergangen ist (I), chorale prelude for organ (Orgel-Büchlein No. 16), BWV 614 (BC K43)
Composed by Johann Sebastian Bach
with Helmut Walcha

# In dir ist Freude, chorale prelude for organ (Orgel-Büchlein No. 17), BWV 615 (BC K44)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Mit Fried’ und Freud’ ich fahr dahin, chorale prelude for organ (Orgel-Büchlein No. 18), BWV 616 (BC K45)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Gott, nun schleuss den Himmel auf (I), chorale prelude for organ (Orgel-Büchlein No. 19), BWV 617 (BC 46)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Lamm Gottes unschuldig (I), chorale prelude for organ (Orgel-Büchlein No. 20), BWV 618 (BC K47)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christe, du Lamm Gottes, chorale prelude for organ (Orgel-Büchlein No. 21), BWV 619 (BC K19)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christus, der uns selig macht (I), chorale prelude for organ (Orgel-Büchlein No. 22), BWV 620 (BC K49)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Da Jesus an dem Kreuze stund’, chorale prelude for organ (Orgel-Büchlein No. 23), BWV 621 (BC K50)
Composed by Johann Sebastian Bach
with Helmut Walcha

# O Mensch, bewein’ dein’ Sünde gross, chorale prelude for organ (Orgel-Büchlein No. 24), BWV 622 (BC K51)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wir danken dir, Herr Jesu Christ, chorale prelude for organ (Orgel-Büchlein No. 25), BWV 623 (BC K52)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Hilf Gott, dass mir’s gelinge, chorale prelude for organ (Orgel-Büchlein No. 26), BWV 624 (BC K53)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ lag in Todesbanden (I), chorale prelude for organ (Orgel-Büchlein No. 24), BWV 625 (BC K55)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Jesus Christus, unser Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 28), BWV 626 (BC K56)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Christ ist erstanden (I), chorale prelude for organ (Orgel-Büchlein No. 26), BWV 627 (BC K57)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Erstanden ist der heil’ge Christ (I), chorale prelude for organ (Orgel-Büchlein No. 30), BWV 628 (BC K58)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Erschienen ist der herrliche Tag, chorale prelude for organ (Orgel-Büchlein No. 31), BWV 629 (BC K59)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Heut triumphieret Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 32), BWV 630 (BC K60)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Komm, Gott Schöpfer, heiliger Geist (I), chorale prelude for organ (Orgel-Büchlein No. 33), BWV 631 (BC K61)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Orgel-Büchlein No. 34), BWV 632 (BC K62)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Liebster Jesu, wir sind hier (I), chorale prelude for organ (Orgel-Büchlein No. 35), BWV 633 (BC K63b)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Dies sind die heilgen zehn Gebot (I), chorale prelude for organ (Orgel-Büchlein No. 37), BWV 635 (BC K64)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vater unser im Himmelreich (I), chorale prelude for organ (Orgel-Büchlein No. 34), BWV 636 (BC K65)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Durch Adams Fall ist ganz verderbt (I), chorale prelude for organ (Orgel-Büchlein No. 39), BWV 637 (BC K66)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Es ist das Heil uns kommen her (I), chorale prelude for organ (Orgel-Büchlein No. 40), BWV 638 (BC K67)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 41), BWV 639 (BC K68)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ich dich hab ich gehoffet, Herr, chorale prelude for organ (Orgel-Büchlein No. 41), BWV 640 (BC K69)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wenn wir in höchsten Nöten sein, chorale prelude for organ (Orgel-Büchlein No. 43), BWV 641 (BC K70)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wer nur den lieben Gott lässt walten (I), chorale prelude for organ (Orgel-Büchlein No. 44), BWV 642 (BC K71)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Alle Menschen müssen sterben (I), chorale prelude for organ (Orgel-Büchlein No. 44), BWV 643 (BC K72)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ach wie nichtig, ach wie flüchtig, chorale prelude for organ (Orgel-Büchlein No. 45), BWV 644 (BC K73)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wo soll ich fliehen hin (I), chorale prelude for organ (Schübler Chorale No. 2), BWV 646 (BC K23)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Wer nur den lieben Gott lässt walten (II), chorale prelude for organ (Schübler Chorale No. 3), BWV 647 (BC K24)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Meine Seele erhebet den Herren, chorale prelude for organ (Schübler Chorale No. 4), BWV 648 (BC K25)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Ach bleib’ bei uns, Herr Jesu Christ, chorale prelude for organ (“Schübler No. 5″), BWV 649 (BC K26)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale No. 6), BWV 650 (BC K27)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Herzlich tut mich verlangen, chorale prelude for organ, BWV 727 (BC K109)
Composed by Johann Sebastian Bach
with Helmut Walcha

# An Wasserflüssen Babylon (II), chorale prelude for organ, BWV 653b (BC K76)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Valet will ich dir geben, chorale prelude for organ, BWV 736 (BC K131)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Fugue on the Magnificat: “Meine Seele erhebet den Herren”, for organ (formerly BWV 733)
Composed by Johann Ludwig Krebs
with Helmut Walcha

# Nun freut euch, lieben Christen gmein (I), chorale prelude for organ, BWV 734 (BC K125)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Vom Himmel hoch, da komm ich her (II), chorale prelude for organ, BWV 700 (BC K156)
Composed by Johann Sebastian Bach
with Helmut Walcha

# Sei gegrüsset, Jesu gütig, chorale partita for organ, BWV 768 (BC K96)
Composed by Johann Sebastian Bach
with Helmut Walcha



# Einige canonische veränderungen über das Weynacht-Lied “Von himmel hoch” (I), for organ, BWV 769
Composed by Johann Sebastian Bach
with Helmut Walcha


DOWNLOAD:

CD 1 / CD 2 / CD 3 / CD 4 / CD 5 / CD 6 / CD 7 / CD 8 / CD 9 / CD 10

¿Por qué «luz de las tinieblas? Walcha era ciego, y su conocimiento de la polifonía interior de las obras de Bach aparece casi en blanco y negro ». De hecho, a menudo encuentro que escuchar a Walcha me recuerda a un cristal de agua: perfecto, pero casi no existente... la polifonía es perfecta (toucher Walcha era único, y sus registros a menudo implican un sonido agudo - y por lo tanto se puede escuchar todo). Y se las arregla para que parezca no estar presente: la música es, no el intérprete. Por supuesto que no es cierto. Su forma de tocar es tan personal que usted encontrará todos los organistas  diferentes.

Fue sin duda el más importante - en términos de impacto - de todos los organistas bachianos... Como cuestión de hecho, su equipo de música grabaciones de Bach se presentan a menudo como el estándar. Por lo tanto, es inevitable comparar este mono conjunto con el más conocido.

Ahora no creo que Bach Walcha es muy Bachiáno - No creo que Bach tenga ese estilo en sus  composiciones. Sin embargo, la mayor parte de su forma de tocar es muy impresionante (Ha tocado todos los órganos más importantes y las obras clave de Bach) y  se ve en una de las mentes musicales más potente de la historia (Bach) a través de una de las mentes más inteligentes de interpretación (Walcha). Algunos de los interpretattions Walcha ... son, creo, casi imposibles de mejorar.

 Helmut Walcha

Helmut Walcha

Muchas gracias a todos.

KARL.

Solti: Wagner - Parsifal (4 CD)

Solti: Wagner - Parsifal (4 CD, FLAC)

Composer: Richard Wagner / Orchestra: Wiener Philharmoniker, Vienna Philharmonic Orchestra / Conductor: Georg Solti / Audio CD (October 25, 1990) / Number of Discs: 4 / Format: FLAC (image+cue) /  Label: Decca / London / Size: 1.06 GB /  Recovery: +3% / Scan: yes.

CDs:

Amfortas – Dietrich Fischer-Dieskau
Titurel – Hans Hotter
Gurnemanz – Gottlob Frick
Parsifal – Rene Kollo
Klingsor – Zoltan Keleman
Kundry – Christa Ludwig
Erster Gralsritter – Robert Tear
Zweiter Gralsritter – Herbert Lackner
Altstimme – Birgit Finnila
Erster Knappe – Rotraud Hansmann
Zweiter Knappe – Marga Schiml
Dritter Knappe – Heinz Zednik
Vierter Knappe – Ewald Aichberger
Klingsors Zaubermadchen – Lucia Popp, Alison Hargan, Anne Howells, Kiri Te Kanawa, Gillian Knight, Margarita Lilowa

DOWNLOAD:

CD 1 / CD 2 / CD 3 / CD 4

SIR GEORG SOLTI

Parsifal, última obra maestra de Wagner, tiene algo de la música más sublime que escribió, entre ellos el "Karfreitagszauber"  y la escena final. He escuchado tres grabaciones: Barenboim, Knappertsbusch (1951), y este de Solti. Esta en casi todos los aspectos, es una magnífica actuación de Solti. Él tiene un oído a las balanzas y texturas, con lo que fuera, por ejemplo, el entretejido milagroso de instrumentos de viento, cuerdas y metales en el Preludio. Sus transiciones aparecen sin esfuerzo, y los interpreta de una forma gloriosa, suntuosa  la Filarmónica de Viena, la primera opción de Wagner. Por encima de todo, su realización es más emocional que jamás he oido nada de él que sea mejor... Aquí está totalmente comprometido. De todos modos, la última escena  de "Karfreitagszauber" podría ser la más mínimamente menos  espiritual, que creo que tiene algo que ver con su tempo. Ellos siguen el movimiento de música, que es muy importante en este trabajo...  Debo subrayar una vez más, sin embargo, que en su mayor parte, esto es una lectura magnífica, y sin duda una de las mejores cosas que ha hecho. Él tiene las mejores fuerzas orquestales y corales en el mundo: el Coro de la Ópera Estatal de Viena, Coro de Niños, y la Filarmónica. Él es un poco menos afortunado con sus cantantes, sin embargo. Gottlob Frick retrata Gurnemanz de forma conmovedora, pero era de unos sesenta años en el momento de esta grabación y está mostrando su edad, tambaleándose un poco. De todos modos, estoy seguro de que su voz se adapta muy bien a Gurnemanz. Es muy resonante, pero tiene una ventaja de siniestro - alguien dijo que sonaba como un cocodrilo! (Estoy de acuerdo) - que es muy adecuado para Hagen y Hunding, pero NO para Gurnemanz, que debe tener una voz suave, hermosa. Dietrich Fischer-Dieskau es (otra vez!) Mal ubicado en un papel de Wagner (Amfortas).  Aquí, como siempre, el barítono lírico... su inteligencia y sensibilidad  puede compensar una luz... Compara lo que George de Londres o el magnífico Hans más caliente en estos papeles, y el punto inmediatamente a realizar. Más caliente se presenta como Titurel, aquí es la suavidad buscada por Gurnemanz, junto con el magnífico volumen de resonancia, y la riqueza de su voz.... Tiene un poco de tambaleo, pero nada serio. Él y Frick (el mayor de los dos) deberían haber cambiado los papeles. Zoltan Kelemen carece de la firma, morder, la intensidad de la voz esencial para Klingsor, Hermann Uhde en la primera grabación de Knappertsbusch (Bayreuth, 1951), es magnífico. Christa Ludwig, por el contrario, nos da una intensa y dramática aún suntuosamente cantado Kundry, tal vez el mejor que he escuchado. René Kollo es Parsifal, y por desgracia, es más que cualquier otra persona que se hunde en el sistema. Él es al mismo tiempo inestable y seco de la voz. Compara lo que el joven Wolfgang Windgassen (KNA 1), en su líquido de tono, el pico de miel, y hace un contraste casi doloroso. Al igual que los otros, sin embargo, él es un cantante inteligente y aprovecha al máximo lo que tiene.
Mi favorito de grabación de "Parsifal" sigue siendo (lo has adivinado) 1951 Knappertsbusch de la cuenta de Bayreuth. A pesar de que el sonido en mono, que ....  a) tiene la estructura de la obra en conjunto mejor que nadie; B) alcanza alturas de éxtasis, espiritual de la Buena Música viernes y la escena final, y C) cuenta con un reparto excepcional, incluyendo Windgassen, MODL, Weber, Londres y Uhde. Están disponible en Teldec ... Si tienes un buen sonido se hizo una grabación más tarde (1962) en estéreo, con Thomas, Dalis, más caliente, Londres y Neidlinger, que no he escuchado, pero suena muy prometedor. Pero si Knappertsbusch no te convence, Solti debe casi cumplir tus exigencias... y su grabación es mucho más fácil de encontrar que los dos de Knappertbusch . Música feliz!....

Muchas gracias a todos.

KARL.

Marriner - Conciertos para Trompeta y Cantatas

Marriner - Conciertos para Trompeta y Cantatas (FLAC)

Performer: Daniel Arrignon, Helen Donath, Bernard Soustrot, Maurice André, Iona Brown / Orchestra: Academy of St. Martin in the Fields / Conductor: Neville Marriner / Composer: Tomaso Albinoni, Johann Sebastian Bach, Alessandro Scarlatti, Gottfried Heinrich Stolzel, Antonio Vivaldi / Audio CD (January 17, 1997) / Number of Discs: 1 / Format: FLAC (image+cue) /  Label: Royal Opera Records /  Size: 298 MB / Recovery: +3% / Scan: yes.

CD:

01. I . Allegro
02. II. Largo
03. III. Allegro
04. Aria: Jauchzet Gott In Allen Landen
05. Recitative: Wir Beten Zu Den Tempel An
06. Aria: Hochster, Mache Deine Gute
07. Chorale: Sei Lob And Preis Mit Ehren
08. Alleluia
09. I. Allegro
10. II. Adagio (Non Troppo)
11. III. Allegro
12. Sinfonia
13. Recitative
14. Sinfonia
15. Aria: Contentatevi
16. Recitative: Mesto, Stanco E Spirante
17. Largo: Infelice Miel Lumi
18. Aria: Dite Almeno
19. Ritornello
20. Recitative: All’aura, Al Cielo
21. Aria: Tralascia Pur Di Piangere
22. I. Allegro
23. II. Largo
24. III. Allegro

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Bach Violin Concertos & Gubaidulina ‘In Tempus Praesens'

Bach Violin Concertos & Gubaidulina ‘In Tempus Praesens' (1 CD, FLAC)

 Anne-Sophie Mutter, Trondheim Soloists / Orchestra: London Symphony Orchestra /  Valery Gergiev / Composer: Johann Sebastian Bach, Sofia Gubaidulina / Audio CD (October 7, 2008) / Number of Discs: 1 

CD:

01. Violin Concerto No.1 in A minor, BWV 1041 – 1. (Allegro moderato)
02. Violin Concerto No.1 in A minor, BWV 1041 – 2. Andante 6:41
03. Violin Concerto No.1 in A minor, BWV 1041 – 3. Allegro assai
04. Violin Concerto No.2 in E, BWV 1042 – 1. Allegro
05. Violin Concerto No.2 in E, BWV 1042 – 2. Adagio
06. Violin Concerto No.2 in E, BWV 1042 – 3. Allegro assai
07. In tempus praesens (Concerto for Violin and Orchestra)

In Tempus Praesens

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Han pasado más de 20 años desde que la Sra. Mutterhabía registrado los dos conciertos para Bach y ahora se demuestra claramente su actitud cambio y "nuevas ideas". Asi mismo, ha pasado casi una década desde que la Sra. Mutter registró el  anunciado Vivaldi: Las cuatro estaciones / Tartini: El Trino del Diablo con los Solistas de Trondheim , sobre la base de gira con ellos antes de esta grabación, produce una cohesión de sonido maravillosamente y la interacción en ambas piezas de Bach. Las 'piezas de resistencia' de Violín Concerto No. 1 en La menor son la belleza  con el Andante y los movimientos Allegro assai. Del mismo modo, el Adagio y Allegro assai del n º 2 son de excepcional esplendor. El rendimiento de densidad e intensidad Sra. Gubaidulina de 32 minutos "En Praesens tempus" (en la actualidad) se está disparando y emocionalmente influye en que refleja tanto la Rusia de su pasado y nuestras inseguridades de hoy en día en su concierto sin el convencional "héroe" (solista ). El ardiente arco  de la Sra. Mutter produce un trabajo intenso , incandescente belleza y de fuerza. Los cinco movimientos se realizan en una sola pieza continua apasionada. Anne-Sophie Mutter, el maestro Gergiev y la Orquesta Sinfónica de Londres, utilizando la instrumentación inusual, dar a esta magnífica obra  la grandeza  que se merece. Este es un CD de las actuaciones destacadas de las grandes obras. Felicitaciones a todos los interesados. Mi recomendación más alta. Cinco Estrellas IMPRESIONANTE !!!!

Sofia Gubaidulina

Muchas gracias a todos.

KARL.